Research On The Artistic Value And Visual Design Application Of Murals In Baofan Temple

When Chinese temple murals are perceived as "objects",their internal meaning and external representation are deconstructed.When communicating with the audience,the meaning of murals is reconstructed.Like other art forms,murals are placed in the conflicting social dimensions of class,ethnic group and belief.The murals show different meanings in different time and space.Based on the murals of the Baofan Temple,this thesis discusses what the murals of the Baofan Temple are describing,what their symbolic meanings and potential implications are from the perspective of image and communication.At the same time,it analyzes the current situation of the dissemination of the murals of the Baofan Temple,and according to the development ecology of the media,it envisages the future display and dissemination of the murals of the Baofan Temple.Vision is an important way of communication between people and people,people and things.Visual art integrates material and spirit,and carries cultural connotation and national spirit.The murals of Baofan Temple have been gradually abandoned by the times with the changes of society and ideology.The decline of the murals of the Baofan Temple also reflects that China’s cultural heritage protection policy is not perfect enough.The traditional mural heritage is a non-renewable cultural treasure house.In the 1980 s,according to statistics,there are 30 mural sites of different sizes in Pengxi.However,due to incomplete protection measures and natural damage,most of the murals have been seriously damaged,and can only be preserved in a closed way,as the Baofan Temple is so complete,There are few murals that are large and can be displayed.So the development of murals is not only to preserve the noumenon,but also to continue the development space of culture.Dunhuang frescoes are the development model of mural types.The development of Baofan Temple frescoes can learn from the development path of Dunhuang frescoes,but at the same time,there are huge differences between Baofan Temple frescoes and Dunhuang frescoes.blindly imitating will only reduce the spiritual connotation of Baofan Temple frescoes.Therefore,we should deeply analyze the development predicament of Baofan Temple frescoes,combine with the development trend of contemporary society,and create an exclusive path for the development of Baofan Temple frescoes.The dissemination of art should be placed under the background of the times,combined with science and technology,audience interest,and the trend of the times,and transmitted through different media to make the audience have emotional resonance.The murals of the Baofan Temple are full of color,rich in shape and interesting in plot.Therefore,the development of the murals of the Baofan Temple should combine the advantages of the murals with the emotions of the audience to meet the development of the current cultural market.The market is the main criterion to determine the success of the design.At the same time,the development and dissemination of murals also need the verification of the market.In order to truly integrate into the market,it is necessary to conform to the changing laws of the market.In the era of the Internet,the development of the Baofan Temple can not only rely on traditional media,but also combine with current emerging media,such as "holographic projection,VR,interactive media,and so on,in order to successfully" out of the circle "in this highly competitive market.