| Language art is time art and image is space art.As different ideograms,they are different but complement each other,thus forming tension.Huang Yongu cross literature and painting,draw a lot of works in his novel illustrations,The juxtaposition of these images and words in the same time and space creates a dialogue relationship,both in the process of dialogue and mutual conversion works together to form a tension of new text,given the unique charm.Based on the theory of "language--picture" intertextuality,this paper sorts out the internal intertextuality rules of Huang Yongyu’s literary works,discusses several intertextuality relations and effects of his works,deeply excavates the cultural implication and background motivation reflected in his literary works,and makes a humanistic interpretation of his "language--picture" world.To explore the aesthetic taste and artistic characteristics of his literary works from a new Angle.In the juxtaposition of huang Yongyu’s novels,the illustrations and texts,including the titles,forming a relationship of contrast,complement,reinforcement,mutual growth.The pictures and texts in the four modes are transformed from the dialogue of shallow meaning to the connection of deep meaning and even the construction of new meaning,and the function of independent speech of illustrations is gradually highlighted.In the intertext of the two gives the work more explanatory space and artistic charm.Huang Yongyu endowed the text with a visual feature with colorful,hierarchical and dynamic description techniques,and constructed a visual space with a poetic language,a literary world that readers can perceive more easily.the construction by the text of the magnet is make them into the image of the premise,share the apperception of text and illustrations.In the process of graphic transformation,and mutually interpretation,huang Yongyu again in character,narrative,illustration element has adopted a unique style of novel text representation and re-creation,finished with the text of the interpretation of the story,huang Yongyu illustrations in their own unique way of narrative of the novel and the novel text narrative tension relationship of intertextuality.Huang Yongyu’s special personal experience enables him to create the landscape in the form of both pictures and pictures,which runs through the creation of novels.He always holds the idea that literature and painting are interlinked,which makes him break the boundary between the two and extend painting techniques to literary creation.In addition,traditional culture,Miao culture,Witch culture and other cultures also permeate,forming his unique creation concept and style.He experienced vicissitudes of life,insight into the world,in the rich real life and cultural interwoven with the extraction of corresponding artistic symbols,skillfully healthy text and painting together,giving birth to a unique aesthetic value.In the intertextual theory of text and illustrations,Huang Yongyu’s novels reveal the profound poetry of secular life,the nostalgia of praising and reflecting on his hometown,and the prospect of his own rational growth.The tension formed between the pictures and texts makes the ideological dimension of the work more diverse,more profound appeal,so that the thought expressed by the work more perfect display."Language-picture" intertextuality sets up a combination of perceptual reading and rational reading for readers to taste the aesthetic space and poetic space displayed by the works in the transition between pictures and texts.In the profound interaction between the two images and the text,the charm of the illustration "image outside the image" is gradually highlighted.It is no longer a "sub-sign" of language,but an independent symbol with the function of self-speech and criticism,which also has a certain enlightenment to the current thinking of the relationship between images and texts. |
