A Study On The Value Of Left-Wing Film Songs In The Anti-Japanese National Salvation Movement

Under the influence of the left-wing cultural movement,the Party’s film group and music group were established one after another,and the left-wing film movement and the left-wing music movement were launched respectively.As a result,a large number of left-wing films were shot and a large number of left-wing film songs were created.At that time,China was in a complex background of internal and external troubles.The left-wing film songs,with anti imperialism and anti feudalism as the core,enlightenment and national salvation as the mission,and the people’s liberation as the purpose,created film songs with revolutionary ideas and music style,which not only served the revolutionary struggle against Japan and national salvation,but also promoted the prosperity and development of literature and art,leaving precious revolutionary music wealth for future generations.Taking 71 left-wing film songs out of 44 left-wing films from 1933 to 1937 as the research object,the background,main content,distinctive characteristics and value of the times produced by them are analyzed and studied from the perspectives of history,art,sociology,and ideological and political education.Using the literature research method,interdisciplinary research method,case study method and information research method,on the basis of extensive collection and sorting out of relevant historical materials of left-wing film songs,combined with the early ideas of the Communist Party of China on literature and art serving politics and the historical background of the Anti-Japanese Salvation Movement,the value of left-wing film songs was deeply excavated and discussed,and it was divided into an introduction part and four main chapters.The introduction summarizes the reasons and significance of the topic selection,clarifies the concept and time limit of left-wing film songs,sorts out the existing direction of inquiry and academic content,and clearly expresses the value of this paper.The first chapter discusses the background of the era in which left-wing film songs were produced in the Anti-Japanese Salvation Movement from the spread of Marxist literary and artistic theory,the rise of left-wing cultural movements and practical needs.Chapter 2 discusses the main content of left-wing film songs from left-wing musicians and their salvation ideas and the themes of left-wing film songs.The third chapter combines representative works from the three perspectives of art,revolution and people,and analyzes their distinctive characteristics of artistry,nationality,revolution,politics,class,struggle,people,and popularity.Chapter 4 excavates and studies the value of left-wing film songs in the anti-Japanese rescue movement from three aspects: political value,social value and artistic value.Although the left-wing film songs are produced depending on the film,their communication and influence have surpassed the film itself and have their independent value.Based on the background of the Anti Japanese and National Salvation Movement,this paper combs and analyzes the left-wing film songs in multiple dimensions,and deeply studies their various values.