The Song Dynasty Jingdezhen Kiln ’Half-Cut Clay’ Ceramic Carving Flower Art Form And Creation Research

The Song Dynasty was the heyday of the development of ancient ceramics in China.The decoration was mainly based on ceramic engraving.Various forms of engraving have been widely used,and each has its own characteristics and aesthetics.In particular,the ’half-cut clay ’ carved flower products produced by Jingdezhen kiln have unique and skilled knife methods;smart lines,chic;decorative patterns bold,full;the visual effect level is rich,forming a unique art form.It takes line as the decorative language and is expressed by scratching.Due to the different strength and priority of knife rotation,the depth,thickness,width,length and curve of the line are different and varied.The content of this article mainly studies and analyzes the linear,schematic,and physical structure characteristics of the ’ half-cut clay ’ scribing line from the perspective of patternology.Combined with the background of the Song Dynasty,it analyzes the relevance between the physical properties,technology,economy,and humanities,elaborates the aesthetic implication,summarizes the aesthetic source of ’ half-cut clay ’,and carries out artistic creation.At the same time,from the perspective of the linear,schematic and physical structure of ’ half knife mud ’,combined with the creative techniques in modern ceramic art,the concept expression of creation is realized.