Research On Folk Drum Music In Tengzho

Trumpeting music is a kind of traditional music mainly composed of percussion and wind instruments.Trumpeting music has a long history,dating back to more than2000 years ago,and it has been widely used in many occasions.In the Han Dynasty,there were yellow door trumpeting used for banquets and music occasions of the king and ministers,and various important ceremonial activities such as the national temple,and military music cymbals used for marching,which were called "trumpeting".After the Ming and Qing Dynasties,it was widely used in the folk,and the trumpet music of Tengzhou City prospered during this period.Since then,it has been widely used in various folk activities.However,under the influence of traditional ideas and practical needs,the trumpet music of Tengzhou City is still active in various folk activities.This paper will focus on Tengzhou City in the central south of Shandong Province,go deep into Tengzhou City’s very representative folk advocacy music class Cui Jia class,Zhang Jia class,directional,micro field research.Tengzhou City belongs to Zaozhuang City of Shandong Province,which belongs to Lunan region of Shandong Province.In terms of style and genre,this region belongs to Lunan advocacy music.In the process of investigation,the author learned that the intangible cultural heritage applied by Tengzhou City Culture and Tourism Bureau with "Lunan Trumpet Music" has been listed in the provincial intangible cultural heritage list in2020.According to the description of the local people,the Cui family class and Zhang family class that the author investigated are the most representative music classes in the local area.The fourth and fifth generations of the family are all old artists advocating music class,which can basically represent the characteristics of advocating music in Tengzhou City.This paper is divided into four chapters: introduction,which mainly introduces the research status of the research object in this paper,combs the domestic research status to a certain extent,and analyzes the research significance and value of Tengzhou advocacy music.The first chapter,by reading historical materials and monographs,sorts out the origin and history of Huiguan music,the schools and divisions of Shandong Huiguan music,combined with the oral data of local artists and local Chronicles,comprehensively analyzes the influence of Tengzhou’s history,geography and cultural conditions on local Huiguan music.In Chapter two,by investigating and visiting Cui Jia Ban and Zhang Jia Ban,based on a large number of field investigation data and taking local marriage and funeral customs as the main body,the process of local wedding ceremony and funeral ceremony is recorded,and the internal push of ideological and cultural aspects on the continuous existence of advocacy music is analyzed.The third chapter,mainly through the data obtained in the field investigation,analyzes the music ontology of Tengzhou trumpeting music,and summarizes the instruments,playing forms,playing skills and music with local characteristics used by the trumpeting music class.The fourth chapter,combined with the intangible cultural heritage policy and the reality of the situation,multidimensional analysis of the music changes and cultural departments to cope with the policy;With the change of times and the addition of western music,what kind of changes have taken place in the process of inheriting traditional advocacy music?...