| According to Chinese painting theory,"Tongneng" refers to the practice of engaging in an art form in the same way as a large family;’Duyi’ refers to opening up another way to do one’s own art.In China,ceramic painting is a product of traditional ceramic culture,and the cultural symbols it represents in various periods reflect rich ethnic content.It is one of the important symbols of Chinese ceramic culture.The existence environment of contemporary ceramic painting in Jingdezhen is completely different from that of traditional ceramic painting.Contemporary ceramic painting is not only immersed in traditional culture,but also influenced by a large number of Western modern and contemporary art concepts.In such an inclusive and complex environment,Chinese ceramic painting has shown a clear modern and contemporary appearance,which is reflected in the emergence of a large number of experimental works in ceramic painting works.However,due to various factors such as geography and discipline,research on contemporary experimental ceramic painting works and their theories is still insufficient.Therefore,this topic is based on the special historical background and contemporary artistic environment of Jingdezhen.Firstly,it summarizes and organizes the relevant knowledge of traditional ceramic painting.Based on this,a research method combining imaging and case analysis is used to study the experimental underglaze colored ceramic painting works in Jingdezhen.The intention is to use a combination of theory and practice to first organize the contemporary experimental underglaze painted porcelain paintings in Jingdezhen in different directions and explore the theoretical support for their creation;I also hope to explore the development trend of Jingdezhen’s ceramic underglaze painting through an overall grasp of its contemporary experimental underglaze painting creation,and then explore its practical impact on Jingdezhen.The contemporary experimental underglaze ceramic paintings in Jingdezhen are a continuous creative result that integrates traditional and contemporary,science and art,material characteristics and practical individuality.The practicality generally focuses on spiritual orientation,creative methods,and output results.In the current Jingdezhen,there are not only mature and young artists conducting experimental ceramic painting creation,but also a group of future artists.So,when choosing art works,we are based on the theoretical or conceptual support of their artistic practice,but experimental results do have two possibilities of success and failure.So,we try to predict the results,but the facts can only be answered by time.Based on this,it is hoped that the research methods,ideas,and common research conclusions used in this article can provide new insights for researchers in the same direction;The experimental art works and artist cases organized and studied in this project can also provide practical reference for the future ceramic painting creation in Jingdezhen and even the whole country. |
