Study On The Application Of The Principle Of Emotional Memory In The Performance Of The Solo "Sauerden Praise"

This paper takes the 10 th Chinese dance lotus award folk dance works "praise" as the research object,the author study,perform the practice experience as the core case analysis,aims to explore the principle of emotional memory in the solo dance characters.By studying the application of emotional memory in dance performance,the actors can master the specific methods to wake up their own emotional memory,and the awakened emotional memory can help the actors to create vivid and full characters.Therefore,the main research methods used are literature research method,observation method and case analysis method.This paper is divided into five parts,the first part,the introduction of the second part,the introduction of the works;the research value of the emotional memory principle in the performance of the fourth part;and the conclusion of the fifth part.This paper uses the emotional memory in the Stanislavsky performance system to shape the characters,so as to conclude that the sensory memory and stage environment are important ways to help the actors to wake up the emotional memory,and help them to construct the inner emotions of the characters.Moreover,the awakened emotional memory is conducive to the actors ’expression of the character’s emotions in the performance practice,the reconstruction of the body language and enriching the imagination of the stage space.So,through the study of emotional memory principle in solo dance "sawu dun praise" specific use,so it is concluded that the emotion is the premise of actor awaken emotional memory,actor emotional memory is an important basis for shaping the characters,finally to give actors establish emotional support,enhance the ability of body language performance and help actors build the inner image,to create a vivid sensory characters.