Research On The Cross-text And Cross-colture Adaptation Of Miss Julie

As a classic western tragedy,Miss Julie is one of the naturalistic masterpieces of Swedish playwright Strindberg,and occupies an extremely important position in the history of drama.At the time of its creation,this drama had a pioneering significance in the form of art,and its ideological content was also of value not limited by The Times and culture.It has been widely spread in various artistic types such as opera,drama and film for more than 100 years.On the whole,the academic circle tends to study Miss Julie itself,and the adaptation is mostly a specific work,so the comparative study on macro needs to be supplemented.This thesis mainly selects two research perspectives of cross-text and cross-culture,taking six works of the numerous adapted versions of Miss Julie as examples for specific analysis.On the premise of retaining the spiritual core of the original works,these works respectively deal with and transform plot content,character image,art form,theme connotation and other aspects,showing their own adaptation strategies.This kind of re-creation can enrich the theme of artistic text,expand the scope of audience,and promote its continuous development and progress.The unique charm of Miss Julie makes its influence spread all over the world.In the process of cross-text adaptation,on the one hand,it can strengthen the interaction of drama arts between different regions,and in a sense,it also makes the play become an important channel for human cultural communication.In addition to cultural cognition,the audience also thinks deeply about themselves and the current real life from the ancient stories,and generates social value.The article sorted out the innovation and characteristics of each adapted work from the micro point of view,and tried to make a certain rule summary from the macro point of view,in order to make their own modest contribution to the adaptation and dissemination of classic drama.