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Research On The Construction Of "Belonging" In 21st Century Domestic War Films

Posted on:2023-03-11Degree:MasterType:Thesis
Country:ChinaCandidate:Y W LuoFull Text:PDF
GTID:2555306908986169Subject:Theater, film and television
Abstract/Summary:
The new century is different from the old century and refers to the 21st century.Since entering the new century,the domestic film market has been flourishing,among which war films have changed the previous stagnant situation in the market,achieved a double harvest in the box office and reputation,and continuously achieved excellent works,which played a significant role in enhancing the cohesion of the people and strengthening the sense of belonging.In today’s fast-paced development,people leave their hometown for survival and become "strangers in foreign land".Under the pace of modernity,people increasingly feel lonely and lack a "sense of belonging".Film media is constructing a deeper "sense of belonging" for viewers through the film type of war film.The research on the construction of "belonging" in Chinese war films in the new century needs not only to deconstruct the connotation and extension of "belonging" itself,but also to discuss the concrete construction way and why it is constructed."Belonging" involves social relations,memory and emotional system,that is,the generation of "belonging" has three necessary conditions:the establishment of collective relationship between the subject and the other,the existence of collective memory for the subject to produce memories,and the individuals in the collective relationship can rely on collective memory to generate emotional system.In terms of memory problems,the domestic war films since the new century is presented as a historical memory important war and construction,it is in the historical memory rendering and construction,from the images text within a variety of perspective with the construction of external mechanisms reflect the emphasis on social relations,while emotional system through it.On this basis,the image text in narrative level,steering,and the construction of subject levels work together in the viewer a sense of belonging,and it is concluded that the war movies in the rendering and construction process of historical memory,through narrative,the character,structure and the meaning of ritualized space includes setting is conducive to strengthening the viewer for the integration of the social space of understanding,Inspire strong sense of identity,pride and a sense of security,be loved happiness and so on all sorts of feelings,and in this collective space available for self-identity,empathy can construct under different time and space under the watch body and image represented by the ancestors,the correlation between body image would be set to a screen,emotion as the linkage to complete the transition of time and space,A sense of belonging in recognition,pride,and being loved.
Keywords/Search Tags:Domestic war film, belonging, collective memory
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