Research On Xiao Hong’s Creation From The Perspective Of Urban And Rural Survival Experience

Since the new period,there have been numerous research works on Xiao Hong,ranking among the forefront of the ranks of famous modern writers.But the increase in”quantity”doesn’t add anything to the name.Only by understanding the true aesthetic qualities of her work and what it means to be a novelist will the heat wave this name set off will last longer.This paper mainly studies the influence of Xiao Hong’s urban and rural survival experience on her literary creation,in order to explore different interpretations of Xiao Hong and her works from this new perspective.The full text is divided into six parts.The introduction part mainly involves four aspects:firstly,based on the specificity of writer Xiao Hong’s own literary creation and life course,it clarifies the origin and conceptual definition of the perspective of the thesis,that is,”urban and rural survival experience”;secondly,it expounds the possible significance and value of this topic to the cueernt research of Xiao Hong;the third is to find out the gaps and deficiencies in the existing research of Xiao Hong through the review of Xiao Hong’s research literature and the analysis of papers related to this topic;the fourth is to start from the aforementioned shortcomings and clarify the innovation of this topic.The first chapter is focusing on the symptoms of the era of urban-rural mobility,it explains Xiao Hong’s specific urban-rural exile experience in the 1930s and1940s,that is,how her escape from the warm and indifferent rural Hulan city brought her.Luck has subsequently caused its greater unfortunate metropolises,and further analyzes how Xiao Hong and other Northeastern Writers（mainly involving Xiao Jun and Duanmu Hongliang）who aslo had a rough urban and rural exile experience in the context of the era of frequent wars and chaos generate associations,while at the same time showing its specificity.The second chapter mainly analyzes the influence of Xiao Hong’s urban and rural survival exoerience on Xiao Hong as the subject of creation,and discusses it in three aspects:the first,it discusses that urban and rural survival experience is an important factor that causes her character tragedy,which in turn affects her creative practice;the second,it is to analyze the influence of urban and rural survival experience on Xiao Hong’s choice of creative ideas outside the main trend of literature;the third is to explain how urban and rural survival experience causes Xiao Hong’s internal self-contradiction,that is,the contradictory construction and identity of multiple self-identities.The third chapter mainly from the perspective of urban and rural survival experience,analyzes the impact of urban and rural experience on Xiao Hong’s literary creation.By combining sppecific literary texts,this paper proves that Xiao Hong deliberately selects family narrative as her main narrative content in her creation,and her different writings of various death scenes and women’s reflections on suffering writing are related to her unique urban and rural survival experience necessarily contact.The fourth chapter from the perspective of urban and rural survival experience discusses the relationship between urban and rural experience and the chioce and presentation of Xiao Hong’s literary creation forms.Combined with specific literary works,it objectively discusses Xiao Hong’s various creative styles,that is,novels,prose and poetry creation,the specificity of their artistic presentation forms,and this is an important reason why Xiao Hong can attract the continuous attention of the academic circles.The“Conclusion”section summarizes the internal relationship between Xiao Hong’s literary creation and her own unique experience,and points out why Xiao Hong has become a“this one”among“Northeastern Writers”and even“Left-wing Writers”who also have a rough urban and rural exile experience.And thus,revealing the multi-quality and comlexity of the left-wing literature at that time.On this basis,some reflections were made on the relationship between urban and rural survival experience and the creation of Chinese writers in the 20^thcentury.