Research On The Composition Techniques Of Zhu Jian'er's Symphony No.

From the 1920 s to the present,after the exploration of the "five generations of composers",Chinese symphonies have gradually emerged in the world in a unique style,experiencing the development process from scratch to excellence.Now,nearly a century has passed,and its influence and achievements have been paid more and more attention by the international music circle.Among the group of composers who have made outstanding contributions to the cause of Chinese symphonies,Zhu Jian’er is one of the important representatives.As a contemporary composer,Zhu Jian’er had the courage to pioneer and innovate,writing ten remarkable symphonies,including Symphony No.3,written in 1986,it is a symphonic work written by the composer after his first two symphonies and after his first two symphonies.This article takes Symphony No.3 as the object of study,starting from the point of view of creative techniques,the theme of this work,music form structure,orchestral orchestration,polyphony and other aspects of the work for a comprehensive and systematic analysis and discussion.The first chapter gives an overview of Zhu Jian’er’s life and the background of Symphony No.3.The second chapter is the analysis of the theme form and the music form structure of each movement in Symphony No.3.The third chapter mainly studies the Symphony No.3.The fourth chapter analyzes and summarizes the composing techniques from four aspects of Tibetan folk music elements,harmony,polyphony,rhythm and rhythm in Symphony No.3.While analyzing and studying the writing techniques of Zhu Jian’er’s Symphony No.3,This paper tries to excavate the humanistic spirit in this symphony and understand his creative ideas of "truth,depth,essence and novelty",it provides some valuable references for the scholars who will study the related academic contents in the future.