Artistic Presentation Of Pathological Personalit

A large number of poets with "heterogeneous" temperament have emerged in the creation of hazy poems,of which Gu Cheng’s personality temperament and poetic style are particularly special,showing a distinct heterogeneous color,and creating a contemporary "spirit only romantic" poetic creation style.The title of "soul only romantic poet" only belongs to Gu Cheng."Soul only romanticism" is a distinctive aesthetic feature in his poetry creation.His appearance has made a unique contribution to the construction of contemporary poetic theory.As we all know,there is a close relationship between the poet’s personality and his poetry creation.The external poetry style is the expression of the poet’s internal psychological world.The poet’s personality and temperament will be inadvertently projected into his poetry creation,transformed into a part of his poetry works,and have an important impact on his poetry style.Gu Cheng is a controversial poet.His poems show a distinctive personality.His morbid personality contributes to the heterogeneity of his poetic style.The purpose of this paper is to analyze and explore Gu Cheng’s poetry creation from the perspective of morbid personality.What is the relationship between his morbid personality and the artistic characteristics of his poetry.The main body of the thesis is divided into three chapters,which mainly discusses the influence of Gu Cheng’s special personality on his poetry creation and style from the perspective of morbid personality.It clearly points out that this kind of morbid state is not a physical pathological change,but the poet Gucheng’s unique personality,a kind of poetic spirit and abnormal psychology that stimulate his artistic creation,and points out that the influence between Gucheng’s personality and his work style is mutual,both inside and outside,and benefits each other.The heterogeneous personality has influenced Gu Cheng’s poetry creation,and his poetry is also a mirror image of his personality.The first chapter mainly explores the reasons for the formation of Gu Cheng’s paranoid personality from the perspective of "paranoia",and analyzes the influence of paranoid personality on Gu Cheng’s poetry creation from both positive and negative aspects."Bigotry" not only constitutes the theme source of Gu Cheng’s poetry creation,but also the embodiment of his creative attitude.In his creation,he adhered to his own principles and original intentions,and formed his own unique views on poetry creation and poetry theory.Gu Cheng in his creation has the spirit of "God of the sun" and "God of wine".He takes poetry as his life and writes poetry with life."If you are not mad,you will not become a Buddha." Gu Cheng explained this sentence throughout his life.The extreme love,purity and devotion have made Gu Cheng an unshakable place in the history of poetry.Many artists have their own persistence and creative personality,but few people,like Gu Cheng,have completely fused creation and life to write poems with life.No matter how the times and the external environment change,Gu Cheng’s love for poetry is not diminished.He is a well deserved adherent of the poetic spirit.His attitude towards poetry creation is touching,hitting the softest depths of people’s hearts.Sticking to the purity of poetry and persisting in the exploration of poetic art are the places touched by Gu Cheng in his poetry creation.There is no lack of innovation,love and beauty,classical poetic mood,and modern artistic exploration in his poems.However,excessive "bigotry" has also caused the limitations of Gu Cheng’s poetry creation,limited the pattern of his poetry,and limited his further development on the road of poetry.The second chapter focuses on the novel art of imagination in Gucheng’s poems.A good poem is bound to be inseparable from vivid imagination.The imagination in Gucheng’s poems shows distinct uniqueness.Imagination is the vitality of creation,and imagination itself is also a kind of abnormal psychology.The purpose of this chapter is to explore the internal relationship between Gu Cheng’s special imagination and his unique poetic style.It is mainly analyzed from three aspects: intuitive inspiration imagination,closed micro imagination and surreal mysterious imagination,combined with Gu Cheng’s sensitive and lonely personality,naive and insightful thinking perspective,which is different from ordinary people.This chapter divides Gu Cheng’s imagination art into three sections(three different periods)to discuss.The imagination art in Gu Cheng’s poetry is different from other poets,and there are obvious differences in his poetry itself.In the first stage,the imaginary world is full of aura,fresh and natural;In the second stage,the imaginary world is closed and self admiring;The imaginary world in the third stage is more obscure and difficult to understand,showing a surreal color.The imaginary world in different stages of Gucheng’s poetry is both independent and unified.The evolution of imagination art in his poetry creation is not only influenced by the context of the times,but also closely related to the change of his personality.The third chapter further explores the relationship between the fission of Gucheng’s personality and his poetic style.Gu Cheng’s personality is very contradictory and divisive,and the "fission" of personality is particularly evident in his poems.A Gu Cheng who is constantly split from the world and from himself shows extreme two sides of his personality,resulting in the contradiction,complexity,obscurity,implication and ambiguity of his poems,showing the aesthetic tension of intertwined contrast between good and evil,beauty and ugliness.Finally,it is emphasized again that Gu Cheng’s morbid personality is not a physiological lesion,nor is it accidental.Personality and style are both interrelated and completely different.In order to avoid being narrow-minded,it is necessary to bring Gu Cheng’s morbid state into the perspective of literary history,examine Gu Cheng’s madness and morbid state in the context of madness of the times,make in-depth analysis,and consciously connect the transformation of Gu Cheng’s poetic style with the destiny and development of new poetry.