Research On The Typological Production Of Online Literatur

In today’s hot Internet literature,the research on Internet literature also has the meaning of analyzing the taste orientation of popular culture.At present,there has been an obvious typification of online literature at the level of creation and reading,which has also become the focus of related research on online literature.What are genres in online literature? How does its typing work? What is the impact of this type of production? Is there a place for reference in the genre of online literary criticism?Taking the above problems as the starting point,this paper studies the typed production mechanism of network literature.The first chapter firstly sorts out the western literary theory of genre,and at the same time,it defines the concept of genre and genre in connection with the phenomenon of genre in popular culture.At the same time,by observing online literature from three perspectives: cultural industry,"fan" culture and media literature,we define online literature as media literature embedded in the current cultural industry and driven by participatory culture.And based on this,it makes an in-depth discussion on the typification phenomenon of online novels.After defining the concepts of genre and internet literature,combine the above two conclusions to explain the genre in internet novels.The second chapter describes and summarizes the typing process.The types of online novels are expressed in the grading method of "type + type + label".As a convenient tool,type is continuously refined according to the needs of users(including authors and readers).As a dynamic process of constant renewal,typification has two dynamic mechanisms: complementary and anti-ego.Writers and readers on the Internet absorb nutrients from Internet culture and cultivate virtual and self-sufficient type worlds.From this,this chapter draws the conclusion that online literature has realized the transformation from simply changing the carrier to directly emerging from the network,that is,from traditional online articles to long-form serialized novels.This lays the groundwork for the two productions of the following types in text and meaning.The third chapter points to the textual production of types.First of all,a horizontal comparison is made between the genre creation routine and the plagiarism,and the essence of the genre routine is pointed out: publicity.Type routines can be reused and continuously developed precisely because they have the pleasure of sharing and co-constructing a knowledge system.The mechanism of genre generating pleasure is realized through the strong connection between the texts of Internet novels and the fictionality of the texts.Finally,this paper summarizes the above-mentioned production mechanism as database warehousing and warehousing actions,warehousing corresponds to the collective process,and warehousing corresponds to the individualized process.It is through this database-like operation that the entire network novels realize the spread of texts,and thus constitute a fantasy text world called network novels as a whole.The fourth chapter points to the meaning production of types.The type world is a mirror image of the real world,and this mirroring is achieved through the relationship between the subject and the environment around the subject.According to the complementary and anti-self generation mechanisms of the previous types,this paper divides the mirror world into two categories: order and morality.The former is the mirror of the subject,and the latter is the mirror of the world.Together,the two constitute an "ideal self",the new subject.In genre novels,the subject of reading has changed,and this change reflects the aesthetic tone of genre novels,which is dominated by pleasure.Unlike serious literature’s observation of the real world,genre fiction aims to create an "autonomous" world in which self-desire and social ethics agree.To achieve this goal,writers and readers create new worlds in which their wishes can be fulfilled.And this self-externalization is achieved through the identification mechanism in the reading process.The fifth chapter starts from the characteristics of text connection,fictionality and the functions of realizing self-identification and construction,which are summarized in the first four chapters,and puts forward suggestions on the critical perspective and methods of online genre novels.This paper believes that academic criticism can observe its dynamics from a certain distance,take the genre as the breakthrough point,broaden the research horizon to the Internet cultural resources used by different genres,and focus on exploring the changes of such resources in Internet novels.