Relevance Of Presence:A Study On The Generation Of Linear And Spatial Context In Painting

This paper studies the context of painting through the perspective of line in space,virtual and real as well as formal description.Through the study of the visual description and the formation of lines in phenomenological viewing mode,this paper discusses the overlapping of lines and the relevance of the scene,presenting a certain and uncertain,absolute real field,so as to try to get close to the real painting in the image era.The article is divided into four chapters.The first chapter,"Lines in Painting",describes the development of lines in painting and the imitation of nature through traditional lines,modern lines and eastern lines.The second chapter,"Lines in Space",describes the existence form of lines in space through three sections: the perspective of lines,the virtual reality of lines and the space of lines.The third chapter,"lines in context",expounds the context constitution of pure intuitive Central Line through lines in intuition,lines in description and lines in composition.The fourth chapter is "line overlap and scene correlation",this chapter discusses how line generates the reality of the field through three parts of determination/indetermination/super-certainty,absolute reality and the field of line.Wang Wei in the "formula of landscape" mentioned: cause the nature of nature into the work of nature.The essence of painting is to explore the reality of life.The reality of vision presents impermanence,disorder,nothingness and uncertainty,while the part of certainty and constancy is the correlation among them.The difference between the image age and traditional visual viewing is a profound revelation of the intuitive experience of nature.Through the depiction of the impermanence of natural existence,the construction of misplaced images and the generation of staring field,the painter uses abstract linearity to peel off the representation of objects,observe and cover the invisible disorder boundary,and explore the extension of sight and line in the field chaos and the predictability of field.The painter constructs the realm with the connection of sight and line marks,and meets the circumstance of Aoyan and the difficult nature of nihilism in the process of digestion.This paper tries to study the real and transcendent life experience of being in the scene,the visual association between visual images,and constructs the inner gully with dry ink and thirst brush to get close to the source of reality.