The Exclusion And Inclusion Of Technology And Art-the Observation And Thinking On The Contemporary Digital Painting,Generative Art And Encryption Art

From Duchamp’s "Fountain" to the use of finished products as a collection,to David Hockney’s derivation of existing painting tools into electronic products,to i Pad creation and display,to today Mike Winkelmann [M]’s encryption encryption method,even the scope of works that we can’t define in the way Winkelmann’s works expressed in 60 million US dollars in 2006,nor can we participate,whether,whether through the artist through the artist to participate 9 The "no matter what." of the work is what triggered this phenomenon.It is undeniable that "non-traditional" is a continuation of economic art and contemporary art,and it continues today.The painting method also shows different relational diagrams,expansion diagrams and other digital painting forms.How does the traditional painting form derived from the tools manifest in this obvious "non-painting tendency and picture style".How to choose between “painting” and how to inherit and inherit,or change and innovate,is a proposition for contemporary stakeholders.——Show observation and thinking on digital painting,generative art and encryption.