Carrying Forward The Past And Linking Up With The Future—Research On Zhao Mengfu's "Autumn Colors Of Magpies

Zhao Meng’s The Autumn Colors on the Ch’iao and Hua Mountains follows the tradition of Dong Yuan of the five generations.Through in-depth study of techniques,we found that Dong Yuan’s works provided a variety of creative elements for the The Autumn Colors on the Ch’iao and Hua Mountains.The Autumn Colors on the Ch’iao and Hua Mountains is a direct verification and supplement of Zhao Meng’s teacher method and Dong Yuan in the traditional academic circle.Moreover,this painting deconstructs and transforms Dong Yuan’s painting method,and more emphasizes the interest of brush and ink.The Zhao family and the Yuan family were directly or indirectly influenced by his artistic concept and inherited the mantle of Zhao Meng.During the Ming and Qing Dynasties,the literati painters’ commentaries and inscriptions of The Autumn Colors on the Ch’iao and Hua Mountains enriched the artistic connotation of "Que Hua",affirmed his artistic achievements,and in turn nourished the spiritual world of the Ming and Qing Dynasties painters.Through the deconstruction and reconstruction of different times,the great works constantly glow with new vitality.