Exploring The Linguistic Nature Of Dispatching In Mongolian Dance Works

As an important part of dance composition,dance movement exists in a unique way in dance works and also serves the creation of dance,and has a unique linguistic quality.There are many forms of dance movement,so the movements used in this study are based on the linguistic effects of linear movement in dance works.Therefore,for the sake of research rigour,the linguistic nature of the movements referred to in this paper is the linguistic nature of linear movements.The analysis and study of the linguistic nature of linear scheduling in Mongolian dance works will not only improve the author’s theoretical understanding of dance scheduling,but also make it better for dance creation.In this paper,the author discusses and sums up the theory in four parts.Firstly,I define the concept of dance scheduling,the concept of language of dance scheduling,and the concept of Mongolian dance;secondly,I explain the evolution of language of scheduling in Mongolian dance works;then I analyze the language of scheduling through the specific expressions of scheduling;finally,I practice the language of dance scheduling in Mongolian dance creation and draw conclusions.In this way,the theory and practice are complementary,and the choreographers,including the author,can better integrate scheduling into Mongolian dance creation.