Geosymbols And Cultural Landscapes

The "Northeast Films" discussed in this article refers to plot films infiltrated by the strong regional culture of the Northeast.The spatial background of the story is the vast geographical environment of the three northeastern provinces(Heilongjiang,Jilin,and Liaoning),and the content focuses on the living conditions of the people in the Northeast.tracing and revealing.In the territory of film culture after China’s reform and opening up,the appearance of Northeastern films seems to be somewhat "blurred",until Zhang Meng’s "Blessed Ears" directed by Zhang Meng in 2008,Northeastern films radiated new vitality and entered the audience and research again.in the field of vision.This batch of films originating from the Northeast,presenting the Northeast,and telling the Northeast appeared in different genres and artistic attitudes,and won many awards at various domestic and foreign film festivals.As a result,a group of film creators who grew up in the Northeast have also emerged and contributed to the entire film industry with a number of works with obvious Northeast local flavors,and also made the Northeast,a once brilliant region in the territory of China’s film industry and culture,re-issued.Its own brilliance constitutes an important aspect of the widely discussed "Northeast Renaissance".The study of the Northeastern film in the new century from the perspective of geo-cultural helps us to clarify the appearance of the Northeastern film in the new century,and it is also helpful to re-understand the geographical characteristics of the Northeastern film.Movies belong to a representational two-dimensional space.The basis for the formation of the representative film space is the mechanical presentation of the objective physical world by the lens and the imaginative transcendence of the natural world by the film creator.The film space has become an image narrative space with unique aesthetic meaning due to the construction of the symbolic image system.The audience’s interpretation of the image symbolic meaning and the real or unreal imagination extend the space presented by the film into a broader cultural space.This paper uses the research paradigm of space production theory to determine the natural space,social space and spiritual space presented by Northeastern films as the research starting point,and interprets the visual symbols,auditory symbols and character symbols in the typical texts of Northeastern movies in the new century,focusing on the presentation in the film.,construction and representation of the cultural landscape,trying to excavate the "local" characteristics of Northeastern films in the new century.Northeastern films since the new century have presented a real social space in which history and reality are constantly resonating.The old industrial area is a witness to the glorious history of the Northeast,and now it has become a fold of history.Industrial symbols such as workshops,factories,mines,railroad tracks,and trains silently tell the gloom of history.The urban-rural transition zone is the result of the continuous expansion of cities in a post-industrial society,in which high-rise buildings and shanty towns echo far away,and migrant workers pursue their own subjectivity and the pace of the times here.Northeastern film creators express their love for the Northeast in the video world,which reflects the collective nostalgia of the proletariat since the reform and opening up.