A Study On The Confluence Of Musicians,Officials And Private People In The Song Dynasty

"Combination of official and private music" is a phenomenon of exchange and integration between official performers and private performers of folk free music practitioners in the music activity space.Musicians are the main carriers of music dissemination and an important medium of dissemination of music culture,influencing the development direction of music culture.Since the birth of the music membership system in the Northern Wei Dynasty,ancient Chinese musicians lost their personal freedom,and systematically studied and disseminated music under the control of the state system,making the central to local,national and social music culture highly consistent.In the Song Dynasty,under the influence of the special political and economic environment of the country,the folk private performers suddenly emerged,and together with the official performers,they took on the work of music performances on large-scale festivals.The co-conspiracy of the official and private players reflects the changes of the times and the management methods of musicians,which ultimately affected the secularization of the music culture in the Song Dynasty.This paper takes "musicians in the Song Dynasty" as the research object,and based on the "music membership system",divides the identities of musicians in the Song Dynasty into two categories: official performers and private performers,and pays attention to the restrictive effect of the national institutional system on musicians’ vocal skills activities.,as well as the phenomenon of exchange and interaction between officials and private musicians inside and outside the institutional system,divided into four chapters:The first chapter starts with the identification of official and private musicians,uses the method of comparative historical research,starts from the identity attributes of musicians,and conducts a detailed analysis in combination with the music management system and social background of the Song Dynasty,and strives to clearly demonstrate the relationship between official and private musicians.differences in identity,origin,and cultivation methods.Through literature review,it is found that the official gig and the private gig belong to two different music inheritance systems,and their training process and management system largely restrict the musical performance content and musical activity space of the official gig and the private gig.The differences in people’s musical performance styles are the preconditions for the collision and fusion of refined and popular music cultures after the "official and private integration" of musicians.The second chapter,on the premise of the identity difference between official and private musicians,divides the music cultural space of Song Dynasty into three categories: court,mansion,and folk market,and analyzes the musicians in each music cultural space based on the historical data The phenomenon of "official-private integration".After sorting out the literature,this paper believes that there are three forms of the phenomenon of "official-private confluence" of musicians in the Song Dynasty:first,the "official and official confluence" of yingji and palace performers in the music activity space within the music system;,after the official play fell into the folk,the "official-private confluence" with the folk private play in terms of identity;third,the "official-private confluence" in which the official play and the private play conspired and worked together in the same music performance space.The third chapter focuses on the analysis of the reasons for the merger of the official and private musicians in the Song Dynasty,and believes that: First,the change of the social music aesthetic concept in the Song Dynasty and the abundance of folk music venues are the preconditions for the merger of the official and private musicians in folk occasions;The social ethos of alcohol and the ruling class’ s call to enjoy singing and dancing are the key reasons for the fusion of entertainment and private affairs in official residences.Second,the interest induction of music commercialization is the core driving force for official tricks to flow into the folk market.Third,the decline of the Song Dynasty government’s ability to entertain people and manage people is the key reason why the folk private tricks enter the palace to respond.The fourth chapter mainly discusses the significance of the official-private integration of music people in the Song Dynasty,and believes that the official-private integration of music people promoted the exchange and integration of different levels of music culture between the court,the literati and the folk,promoted the secularization of the music culture in the Song Dynasty,and enriched the Song Dynasty.The types of music products in the society played an important role in the construction of the mainstream music forms in the Song Dynasty,and promoted the reform of the music management system in the Song Dynasty.