A Study On The Performance Technique Of Zhu Jian'er's Overture No. 2 "Flowing Water

In recent years,with the introduction and development of western Musical Instruments,the penetration rate of piano in China has been increasing,and then more and more piano lovers have emerged ever since.Among them,some excellent composers and pianists,not willing to completely copy western culture,strive to add western composition techniques in piano music to Chinese folk music elements and create a lot of many excellent piano works with Chinese characteristics,which have been inherited and developed by later generations."Overture 2" water "is the composer Zhu Jian during his study abroad,with reference to the" river water "made a piano work,the author to" water " as creative intention,whether from the perspective of creation way and playing techniques,gives its strong national characteristics,make more Chinese music lovers gradually accepted the integration of Chinese and western piano works way,is Mr Zhu Jian contributions to Chinese piano music nationalization development path of one of the important masterpiece.This paper aims to analyze the creation background,music analysis,performance analysis and other aspects of "Overture No.2" Running Water "",Based on the author’s experience in learning piano performance over the years and references,the works are analyzed,A deep understanding of its western music style and Chinese national characteristics,Understanding the new theoretical knowledge brought about by the national innovation of his piano works,And put forward the corresponding analysis and performance technology suggestions,More piano players who love Zhu Jian’s piano works and Chinese national style music works can get some beneficial learning experience,In the future stage interpretation can better express the original composer’s creative intention.