Study On The Reference Of Comprehensive Material Painting To Han Stone Art

Composite material painting as a contemporary Chinese painting art innovation platform,it tried to break through the developing mode of traditional painting is relatively stable,more emphasis on the diversity of materials and techniques and liberalization and present a more open and inclusive attitude,its historical mission is to fully grasp the contemporary context of painting,the in-depth study of Chinese classical painting art in the contemporary context and the performance,As an ancient art form,han stone art can certainly provide rich national culture soil and processing materials for the creation of comprehensive material painting.Han stone art reflects the typical characteristics of the development of Chinese classical culture and art to a relatively mature stage.During the Han Dynasty,the cultural character and spiritual character of the Han people had been basically locked,forming plastic arts and aesthetic characteristics with Chinese classical humanistic spirit and personality charm.Han stone statues are simple and natural in shape and profound in meaning.They depict and express the social form of han people from economic foundation to superstructure in an all-round way,which contains the unique aesthetic pursuit of Han people and philosophical thinking about the nature of life and the universe.More than two thousand years later,han stone statues still shine brightly,which not only reflects the sense of belonging of Chinese culture,but also reflects the sense of identity of Han stone paintings in the contemporary context.The purpose of this paper is to explore the formal language,aesthetic concept and interest of Chinese stone statues in the specific historical context and its influence on the creation of comprehensive materials painting.It focuses on the analysis of the pictorial structure,image modeling,carving techniques and other modeling languages and aesthetic concepts of Han stone paintings,which contain the aesthetic characteristics of ideality,symbolism and narrative,in order to explore the ways of reference for the creation of contemporary composite materials painting and the enlightenment for the development of contemporary composite materials painting.At the same time,it is expected to have some realistic significance on how Chinese contemporary painting language deeply absorbs classical art elements.