Localization Analysis Of Shandong Oil Painting

From the Western "oil painting" landing in Qilu in the late 19 th century to the opening of the "Shandong Local Customs Oil Painting Exhibition" in Beijing in the1980 s,"Oil painting" as a foreign painting variety,in Shandong,he experienced the road of "localization" from scratch.The older generation of artists in Shandong went from being at a loss to learning,from formal content to theoretical techniques,and from borrowing to native return.They planted Western oil paintings in the cultural soil of the eastern Qilu land.After continuous improvement and the nourishment of local culture,they finally realized the localization and integration of Western oil paintings,and explored a unique way of "moving people with emotion and winning with soil".The artistic path of "Shandong Oil Painting" with local characteristics.In 1982,"Shandong Local Customs and Customs Oil Painting Exhibition" achieved a grand bloom,yielded fruitful results,and won wide acclaim and recognition from the national art circle.Since entering the 21 st century,with the acceleration of international informatization and digitalization,the world has rapidly entered the era of globalized culture.The development of Shandong oil painting has become a new challenge for the development of Shandong oil painting art.The relationship between tradition and modernity,localization and globalization,has become a new topic for contemporary Shandong oil painting artists.The first chapter of this paper is the interpretation of the localization of oil painting and the definition of local culture.The second chapter is the exploration of the artistic language of Shandong oil painting.Compare the current situation of oil painting in Shandong around the 1950 s with the "Yellow River Sketch Exhibition" and "Shandong New Year Painting Exhibition".Taking the 1982 "Shandong Local Customs Oil Painting Exhibition" as a clue,this paper analyzes the exploration process of Shandong oil painting artistic language.The third chapter analyzes the formation of Shandong’s local customs and artistic style,and discusses from the changes of the times and Shandong’s geographical and human factors,including the changes in Shandong’s oil painting artistic language after the "Shandong Local and Customs Oil Painting Exhibition".The fourth chapter is about the new challenges of the localization of contemporary Shandong oil painting.By analyzing the examples of oil painting localization in other regions of China and the localization of Western oil painting,I think about the localization and globalization of contemporary Shandong oil painting.The fifth chapter is the influence of oil painting localization on my creation.The localization of Shandong oil painting is the presentation of the rheological process and results based on the local culture of Shandong.In 1982,"Shandong Local Customs and Customs Oil Painting Exhibition" was the lodging of the artist’s sense of return and a strong nostalgia.At present,the relationship between localization and globalization of Shandong oil painting and its future development direction are challenges to local culture as well as to Shandong artists.