Study On Artistic Language Of Huang Chunyao’s Landscape Painting

In the painting world of the 20 th century,there emerged a group of landscape painters and art educators who were proficient in painting history and theory,such as Xu Beihong,Fu Baoshi,Huang Binhong,Li Keran,Lu Yanshao and so on.Under the tutorship of Xu Beihong and Fu Baoshi,Huang Chunyao followed the law but was not confined to the law,took nature as his teacher but was not confined to the form of things,and emerged as a scholarly painter and a successful educator who wrote deeply in his blog.Throughout huang Chunyao’s life,the wave of times change,the combination of traditional and natural painting view,and the accumulation of theory have created his strong sense of The Times,novel composition,unique brush and ink of landscape painting art language.In his landscape painting works,it embodies the integration of painting internal skill and painting outside work,and the unity of personality,times and nationality.This paper takes Huang Chunyao’s landscape painting art works as the clue,focuses on the analysis of the expression mode and formation factors of his artistic language,and obtains the unique features of Huang Chunyao’s landscape painting art in subject matter,composition and ink.The first part of the paper is huang Chunyao’s artistic process,which is divided into three stages.The first stage is his study experience in National Central University,the second stage is his teaching career in National Central University,and the third stage is his creation of three Gorges for reform.The second part is a landscape painting art language performance,through Huang Chunyao landscape paintings,analyze the landscape painting in the aspects of subject matter,composition,ink,in the aspect of subject matter was based on new and famous mountains and great rivers,on the composition of a picture show the ’vast panoramic and dense without plug feature type technique,in ink to show guide book and the color into the ink.The third part is the generation of huang Chunyao’s landscape painting language.Through the analysis of his landscape painting works and theoretical collection,it shows his profound theoretical accomplishment,painting view combining tradition with nature and strong atmosphere of The Times.The fourth part is the enlightenment and limitation of Huang Chunyao’s landscape painting art.In the face of the inheritance and change of traditional culture,the exploration method conveyed by Huang Chunyao’s landscape painting provides a good reference for contemporary landscape painting artists.Meanwhile,a large number of paintings of the Three Gorges have enriched the expression style of its landforms.In the integration of Chinese and Western culture,Huang Chunyao on the one hand brought a new look to the style of his works,but at the same time,there are certain limitations in the specific use of color and the way of viewing objects.Through the study of the artistic language of Huang Chunyao’s landscape painting,it is concluded that there is a close relationship between the formation of the artistic language of Huang Chunyao’s landscape painting and the language of landscape painting.