A Practical Study On The Integration Of Folk Singing Into The Tone Of Chu Opera

"To enhance the country’s cultural soft power,we should strive to showcase the unique charm of Chinese culture," Xi said.To inherit traditional culture and carry forward the spirit of The Times,based on the country and the world to spread the innovative achievements of contemporary Chinese culture".[Speech at the 12th Group Study session of the Political Bureau of the CPC Central Committee on December 30,2013]Ethnic vocal music is an artistic expression of Traditional Chinese art and culture,as well as an indispensable part of traditional culture,with very important cultural value and significance.Ethnic singing refers to the singing methods used in singing ethnic vocal music works,including "folk traditional singing method","national bel Canto singing method","academic ethnic singing method" and "national popular singing method".As a traditional Chinese singing method with a long history and wide application,the most national singing method has important reference significance and reference value.The singing system,aesthetic theory and expression form of national singing can not be separated from the original resource pool of opera tone.This paper mainly on the application and practice of ethnic singing into the voice of Chu opera as the blueprint of this paper research,to learn to sing the chu opera "Broken Bridge"excerpt "Xiaoqing Sister slow lifting longquan sword" as a starting point,the integration and development of ethnic singing and Voice of Chu opera for detailed exploration.This paper cards the integration of ethnic singing and song tone of Chu opera from the perspectives of ethnic singing,opera tone,and "Xiaoqing Sister slowly lifting longquan Sword" from broken Bridge.The first chapter mainly starts from the similarity of three aspects:the application of breath resonance,the rhyming of running tune and the way of character shaping,and explores the feasibility of integrating ethnic singing into opera melody.The second chapter mainly from the cultural characteristics and artistic characteristics of The Melodies of Chu opera to explore the artistic characteristics of the melodies of Chu opera.The third chapter focuses on the artistic practice,integrating the folk singing and the melodies of Chu opera in the excerpt "Xiaoqing Sister slowly lifts longquan Sword" of Chu Opera "Broken Bridge".The fourth chapter mainly expounds the significance of ethnic singing to the inheritance and development of Chu opera.The significance of national vocal music to the inheritance and development of Chu opera lies in making the voice technique of Chu opera more standardized,and also making more vocal music learners in colleges and universities walk into Chu opera,understand It and fall in love with it.