Narrative Strategy Of Theme Micro Film Based On Emotional Identity

Like theme films,theme micro films shoulder the political tasks of conveying national ideology,promoting mainstream values,and praising humanity and life.Traditional theme films have a clear national consciousness and clear ideological purpose.They satisfy the top-down purpose of political education through retrospection of major historical events and the shaping of hero images.This kind of film has the characteristics of singleness,seriousness and solemnity,but it does not meet the aesthetic needs of the current audience.Along with the transition of the era,the new era of the mainstream values of expression is not constrained to the traditional values of patriotism,which deconstructs the ever more ambitious national discourse expression,through theme works to convey his care social discourse,thus showing a close to the life,the more ground and practical style.And with the popularity of Internet media,the pattern of traditional film bureau limited to cinema to watch is broken,the micro film has quickly become something new at any time be audiences to watch,and the main melody film based on the theme,and more suitable for the current needs of audience fragmentation reading,more will be the main melody ideology deeply integrated with micro movie story,In this way,the audience’s emotional identification with the mainstream values conveyed by the video is established,and the audience’s emotions are constantly cultivated to achieve the purpose of soft education.In other words,through the specific performance of individual happy life,the audience will be unconsciously connected with the individual and the country,and the individual happy life will generate resonance for the prosperity of the country and the strength of the people,so as to enhance individual national identity and national confidence.The study of narrative strategies of theme microfilms from the perspective of emotional acceptance and emotional identity can theoretically enrich the creation theory of theme microfilms and play a guiding role in the specific practice of creators.It can also summarize the main melody expression method in the image of the theme micro film,making it easier to construct the emotional identity of the audience;It can better meet the dissemination requirements and demands of current socialist core values.The author divides the research of narrative strategy into five chapters:The first chapter defines the concept of theme microfilm and emotional identity.At present,there is no accurate definition of theme microfilm in the academic circle.Only after the concept of theme microfilm is clearly defined and the theoretical basis is fully mastered,can further research be carried out.The second chapter is based on the theory of emotional identity and makes use of the relevant theories of film narratology to analyze the narrative principles of the theme micro film.This paper mainly summarizes the principles of narrative space,narrative time and emotional identity,including the selection of narrative space,the distortion principle of narrative time and the generation mechanism of emotional identity of the theme micro-film.The third and fourth chapters refer to the narrative dichotomy proposed by Todorov,that is,analyze the film narration from the two levels of story and discourse.At the story level,the story theme,narrative style and character image building of the theme microfilm are analyzed respectively;at the discourse level,the narrative mode,narrative viewpoint,narrative structure and narrative language of the theme microfilm are analyzed,so as to explore the narrative strategy of the theme microfilm.