| Qiuhu’s wife is a well-known virgin and filial wife in Chinese history.She is a female model in feudal society,and even in today’s society,Qiuhu’s wife is regarded as a moral model of women’s chastity and filial piety.Qiuhu stories comes from folk stories,have endured and had a profound impact on Chinese culture,and still have a value that cannot be ignored in contemporary society.On the basis of collecting relevant documents and materials Qiuhu stories,this paper makes textual research on the general occurrence time Qiuhu stories,and divides the changing context of the Qiuhu stories into four parts in chronological order:Han Dynasty,Wei,Jin,Sui and Tang Dynasties,Song and Yuan Dynasties,Ming and Qing Dynasties,and makes a case study of important texts of the Qiuhu stories,focusing on the changes of the Qiuhu stories in each period and its different cultural connotations.Therefore,this paper is divided into five parts:On the basis of clarifying the research object,the introduction summarizes the three dimensions of the Qiuhu stories related research,finds out the gaps in the research and points worthy of further exploration,and then expounds the significance of the topic selection,research methods and innovations.In view of the fact that the Qiuhu stories are rich in materials and have a long history,this paper uses genre as the classification standard to sort out the situation of the Qiuhu stories related documents by means of charts.The first chapter studies the development and evolution of Qiuhu stories the in the Han Dynasty.In this chapter,combined with the compilation style of Lie Nv Zhuan,the occurrence time of the Qiuhu stories roughly determined in the middle and late Warring States period.Then,combining with the material selection standard of Jie Yi Zhuan,this paper probes into Liu Xiang’s understanding of Qiuhu stories from two aspects:husband and wife’s righteousness and gentleman’s righteousness,focusing on grasping the gentleman’s value ethics and sad meaning embodied in the behavior of Qiuhu’s wife’s death,and considering reasons for realizing the transition of "woman-gentleman".Finally,this chapter introduces the spread of the Qiuhu stories in Han Dynasty.The second chapter studies Qiuhu stories in Wei,Jin,Sui and Tang Dynasties.On the basis of textual research on Qiuhu stories written by Ban Gu,the first section makes a case Qiuhu Xing written by Fu Xuan,Yan Yanzhi and Gao Shi,respectively,and grasps their respective changes and understandings of the Qiuhu stories.The second section mainly studies Qiuhu Bianwen.On the basis of grasping the performance of the text,it demonstrates that there is no plot of flirting with wife in Bianwen and the reason why Bianwen is the happy ending,discusses the theme connotation of Qiuhu Bianwen,and concludes that Qiuhu Bianwen is the theme of loyalty and filial piety.The third section focuses on the meaning of Liu Zhiji’s "shrew theory".The third chapter studies the Qiuhu stories in the Song and Yuan Dynasties.Firstly,this chapter summarizes the three changes in the Qiuhu stories in this period-advocating chastity and filial piety,revisiting Jieyi and reversing the case;Also,it studies the changes of the drama Qiuhu flirts with his wife,the slogan of "the Rectification of the Wife Code ",the viewpoint of dallying with his wife,the theme connotation and so on,and demonstrates it from the perspectives of the background of the times and the status of scholars.Finally,the relationship between the Qiuhu stories and the Luofu stories is verified by the time of occurrence,the title of Yuefu,etc.,and the conclusion that the Qiuhu stories influenced the formation of the Luo Fu stories and that there was mutual infiltration when the two stories were in parallel is drawn.Besides,the performance of mutual infiltration between the two stories is sorted out,and the reasons are explained from the aspects of antithesis,mulberry-picking motif and Yingzhuan.The fourth chapter studies the Qiuhu stories in Ming and Qing Dynasties.Firstly,it analyzes the connotation and reasons of evaluating Qiuhu’s wife in the poetry theme of this period,and then separately discusses Yang Shen and Chen Zi’s understanding of Qiuhu’s wife image,and analyzes the deep connotation of different opinions.Finally,it introduces the brief performance of the Qiuhu stories in Peking Opera Sangyuan Hui and the changes of characters and themes brought about by the plot of "flirts with his wife".The conclusion summarizes the viewpoints of the above chapters.On the basis of sorting out the relevant literature of the Qiuhu stories,taking time as the division interval,combining the case analysis of the Qiuhu stories with the overall perfunctory context,paying attention to the presentation features and prominent features of the Qiuhu stories at each stage,and then grasping the reasons and influences behind the analysis changes. |
