A Study On The Calligraphy Of Yu Shinan's "Confucius Temple Stele

Yu Shinan was a calligrapher of the three dynasties and the inheritor of the two Kings’ brushwork.He was called by Emperor Taizong of the Tang Dynasty as "a man of moral integrity",and his book was dubbed as "a gentleman’s book".Taizong ordered Yu Shinan composition and book "kongzi temple monument".This tablet suffered many hardships,repeatedly engraved was destroyed,there are three versions,respectively,the domestic "city wu Ben","Shanxi Ben" and overseas "Mitsui Ben".Zhang Huaiguan’s,"The guan of Confucius","the guan of a gentleman".This paper chooses the best version of "Kongzi Miaotang Tablet" "Mitsui Ben" as a model,focuses on the systematic analysis of its techniques.When referring to the template of the author’s creation influence,both fusion Yu Shina in wei jin shang,adhere to the traditional concept of calligraphy creation,also combining the Confucius temple monument "and in the practice,think learning book priority is for"Confucius temple monument "version of the selection,the grasp of the techniques and Yu Shina placed in the Confucius temple tablet" chih-chung and philosophy,etc.Secondly,the thesis with texts and the Confucius temple monument "as an opportunity to combine the philosophy reflection of" technical reason "and" value rationality "dialectical unification’s point of view,it is concluded that in the era of"technical reason ",calligraphy learning from simple techniques to write "technical reason" to the texts and the focus on "value rationality",and you must pay attention to the cultivation of humanistic spirit.