| Chinese opera:Regret for the past is arguably one of the important compositions of the nationalistic chinese opera exploration during the early 1980’s,the opera has a certain artistic value which is maximizes the use of music compose skill to shape the character of cast basis of inheriting the spiritual connotation from the original fiction.In the subj ect,opera adopts literary fiction;in the music structure,opera breaks the traditional structure of sub-acts,combines Western opera composition techniques which is "sonata-form",divides the whole structure into "exposition","development"and "recapitulation";in the form of singing,the opera adopts aria,recitative,chorus,etc,to create the character’s inner spiritual world,and some of them have become the standard text book’s songs like the three songs analyzed in this essay:"A Touch of Sunset","Wisteria Flower"," Unfortunate Life",this essay intends to truly understand these three songs,including theirs’structure function,music form analysis,singing skills and the connotation of Tzu-chunwhich.will help the singer to perform these three songs better.The whole essay is divided into 5 chapters.The first chapter is the introduction,which gives a general statement about the reason and significance of this topic selection;the second chapter is a basic overview of the fiction,through the analysis of the original writing background and significance to certain understand the reason why Lu Xun portrayed the character of Tzu-chun and also the connotation in the fiction;the third chapter is the analysis of the creation of operas,through the analysis of the background,compose techniques andstructure of the repertoire,has a general understanding about how is the composer shape the Tzu-chun;the fourth chapter analyzes the three songs in detail from the two aspects:music form analysis and singing skills;the last Chapter is my shallow opinion about how to perform personality from watching and listening how two musicians:YinXiumei and Wang Ying carry out different presentation of the personality of Tzu-chun basis on respecting the composer’s compose intentions. |
