A Study On The Intonation Of He Zhu’s Dongshan Ci

He Zhu was a famous poet in the late Northern Song Dynasty,ranking second in the number of Ci poets in the Northern Song Dynasty.He Zhu’s ci is rich in tone usage,which not only reflects the overall style of tone usage in the late Northern Song Dynasty,but also demonstrates strong individual characteristics.The transitional position of He Zhu in the late Northern Song Dynasty’s ci poetry is closely related to his tonal characteristics.This article is divided into four chapters,in addition to the introduction and conclusion.The first chapter analyzes the ci background of He Zhu’s "Dongshan Ci" creation,and sorts out the important versions of the existing "Dongshan Ci".Under the premise of using Zhong Zhenzhen’s "Dongshan Ci" as the base,statistical analysis is conducted on the sources and forms of the tone used in his ci.The creation of He Zhuci was concentrated in the late 60 years of the Northern Song Dynasty,which coincided with the golden period of the development of the Northern Song Dynasty’s lyrics.It exhibited the characteristics of flourishing ci music,rich lyrics,mature ci style and rhythm,and diverse ci styles;Its use of tones presents a balance between old and new,with a preference for new tones.It is widely renamed with new tone names,which are both versatile and longer than small tones.It prefers to use oblique tones and strictly scrutinizes the rhythm.The second chapter starts from the era of He Zhu’s use of tones,analyzing the evolution of He Ci’s influence on the tones of Tang and Five Dynasties poets and Song poets,as well as the characteristics of the first 24 tone tone tone system.In the process of using the tones of his predecessors,He Zhu embodies a constantly expanding theme and innovative style in the use of tones;At the same time,He Zhu created a large number of new tunes with his unique musical talent,promoting the comprehensive prosperity of Northern Song lyrics.The third chapter analyzes the sound and emotion of the tone used in congratulatory speeches from two aspects: theme and rhyme.He Zhu not only expands the theme of his predecessors’ use of tones,but also uses different tones to express his unique voice and emotions in specific themes;In addition,He Zhu can maximize the effect of tone and expression by selecting rhymes and arranging rhymes.Chapter 4 explores the historical status and influence of the use of tone in congratulatory speeches.The continuous attention of poets in the Song,Jin,and Yuan dynasties to his tone,as well as the gradual increase in the number of his lyrics included in important works of the Ming and Qing dynasties,all reflect the important achievements of He Zhu’s use of tone in the history of tone formation.This article provides a special discussion on the use of tone in Dongshan Ci based on the existing 281 complete Ci poems by He Zhu.The focus is on exploring the characteristics of tone selection in Dongshan Ci from the perspectives of the evolution and innovation of tone use,as well as the characteristics of theme sound and emotion.It analyzes the important significance of tone selection in He Zhu Ci,in order to explore the unique position of He Zhu Ci and its tone in the history of Tang and Song Ci.