Study On The Singing Voice Of Wu Ning Caichaxi

Wu Ning Caichaxi武宁采茶戏is a folk song and dance show native to Wuning,commonly known as"Xiuhemenban Opera".In the long history of the development process,while maintaining its own unique characteristics,Wu Ning Caichaxi武宁采茶戏also absorbed the performance skills of other local operas.In 2008,it was listed in the second batch of representative intangible cultural heritage of Jiangxi Province.This paper is divided into five chapters:The first chapter mainly describes the human geography and historical evolution of the tea picking opera in Wuning in detail,and analyzes the original soil of the tea picking opera in Wuning in detail,which is a prelude to the original discussion.Wuning attaches great importance to education,which provides a good foundation for the creation and dissemination of Wu Ning Caichaxi武宁采茶戏.People in Wuning have a long-standing habit of loving tea,which is related to the geographical environment of Wuning.There are quite a lot of high mountains in Wuning,Mufu Mountain,Jiugong Mountain,etc.,known as"high mountains produce good tea",which laid a solid foundation for the production of Wu Ning Caichaxi.The second chapter is the central part of the thesis--the singing research of Wu Ning Caichaxi武宁采茶戏,mainly from the application of Wuning dialect in Wu Ning Caichaxi武宁采茶戏,genres of singing,types and characteristics of singing,the reform and innovation of singing in Wu Ning Caichaxi武宁采茶戏,band accompaniment,gongs and drums and other aspects of detailed discussion.The third chapter is mainly based on the case analysis of the classic plays of Shanghe School "Peony to Medicine" and the classic plays of Xiahe school "Yang Tuo Begging for his wife",from the three aspects of the script,musical composition and classical verse.The fourth chapter makes a comparative analysis between Wu Ning Caichaxi武宁采茶戏and its sister drama Hubei Huangmei tea picking opera in order to understand the nature and law of Wu Ning Caichaxi武宁采茶戏and make a correct evaluation.The fifth chapter mainly discusses the inheritance and development of Wu Ning Caichaxi武宁采茶戏,mainly from three aspects:the current inheritance status of Wu Ning Caichaxi武宁采茶戏,the problems encountered in the development of Wu Ning Caichaxi武宁采茶戏and development countermeasures.The following part mainly describes the problems of"nine plates and eighteen tunes"in the school of tea picking opera in Wuning,the faults in the reform and innovation of the singing voice in Wu Ning Caichaxi武宁采茶戏and the faults in the accompanying instruments in Wu Ning Caichaxi武宁采茶戏.Through a large number of field investigations,the author obtained a lot of first-hand materials scattered among the folk,which are relatively rich.From the perspective of oral interviews with old artists,the author combined the obtained texts with the stage.