Research On The Imagery Of "The Three Swordsmen Of Tiexi" Novels

The "Three Swordsmen of Tiexi" refer to the important writers of the "New Northeast Writers Group",including Shuang Xuetao,Ban Yu,and Zheng Zhi.There are a large number of literary imagery in the novels of the three authors.On the basis of classifying and interpreting the imagery in the novels of "The Three Swordsmen of Tiexi",this article explores the literary and practical significance of the imagery in the novels of "The Three Swordsmen of Tiexi".The paper is divided into four chapters to study the novel imagery of the "Three Swordsmen of Tiexi".Chapter 1,List the Imagery Star Cluster,and use Kevin Lynch’s imagery classification theory to classify the novel imagery of the "Three Swordsmen of Tiexi".The imagery in three person novels can be roughly divided into two categories: natural and social imagery.Specifically,natural imagery includes animals,plants,as well as other natural imagery such as water,fire,shore,sea,oasis,and dust.Social imagery includes three major categories:industrial city imagery,including landmark imagery,road imagery,and regional imagery;The second type is life imagery,including football,strollers,maps,and knife imagery.The third category is religious and cultural imagery,including images such as the Bible,the cross,and the church.Chapter 2 delves into the profound connotations behind the natural and social images in the novels of the "Three Swordsmen of Tiexi".These images are not only a display of the survival difficulties of the Northeast people and a symbol of the decline of the old industrial zone in Northeast China,but also a symbol of individual escape from reality and spiritual redemption.They are also metaphors for the pursuit of an ideal home,including natural images such as water,trees,birds,and fire The Bible and social images such as the cross are metaphors for the widespread survival difficulties that have dominated the working class since the 1990s;The imagery of factories,machines,trams,and other areas is a symbol of the decline and backwardness of the old industrial areas in Tiexi and even Northeast China;Social images such as roads,trains,football,maps,knives,etc.are often metaphors for individuals in difficult situations to escape and escape;And natural images such as fire,birds,leopards,dolphins,and bears often represent individual resistance and redemption of life;The industrial city imagery such as Yanfen Street,Workers’ Village,Poké mon Paradise,statues,and social imagery such as churches,as well as natural imagery such as water,Bijia Mountain,and trees,reveal the pursuit of an ideal home.Chapter 3 fully explores the aesthetic significance of the imagery in the "Three Swordsmen of Tiexi" novels The natural and social imagery of the "Three Swordsmen of Tiexi" novel reveals the declining industrial urban landscape in contemporary society,especially during the transformation period of the 1990 s.The people of Northeast China not only express the beauty of heavy sadness,the beauty of surging life,and the beauty of implicit implication towards the difficulties they are facing,but also the pursuit of a higher level ideal home for individuals.Chapter 4,based on the connotation and aesthetic significance of the three person imagery,analyzes the literary and practical significance of the imagery in the novels of the "Three Swordsmen of Tiexi".The imagery in the novels of the "Three Swordsmen of Tiexi" has important literary continuity and supplementary significance for modern literature in Northeast China and industrial literature in the "Seventeen Years" period.It is not only a inheritance of the vibrant,passionate,and free beauty of life that is commonly displayed in the novels of the "Northeast Exile Writers Group",It is also a supplement to the "greater self" of the steel image in the "Seventeen Years" industrial novel The study of the imagery in the "Three Swordsmen of Tiexi" novels is of great value,and on the one hand,it has important practical significance for the construction of the image of Northeast cities and the image of workers.