Analysis Of The Musical Image In Lv Drama "Cai Wenji"

In the 1960 s,the traditional Chinese opera industry proposed the principle of "three simultaneous efforts" in repertoire creation,aiming to bring forth new ideas in traditional Chinese opera.Guo Moruo became interested in the types of drama in Lv Opera after watching "Borrowing My Family",so he entrusted the script to the Provincial Lv Theater.After being adapted by the provincial Lv literary and artistic workers,he launched a new historical drama "Cai Wenji".The music design of "Cai Wenji" retains the classic characteristics of Lu Opera while innovating.This article focuses on analyzing the shaping and conception of the musical images of the characters in the play.The author will focus on the central figure Cai Wenji and the main clue Cao Cao,and conduct research from the perspectives of melody design,board style application,and text design.The article is divided into four parts.The first part elaborates on the creative background of "Cai Wenji";The second part is the key content of this article,which delves into the form and melody arrangement of the board style in the play;The third part is the accompaniment analysis of the plucked instrument group in "Cai Wenji".As the author’s major is the accompaniment instrument of Lu Opera,the pipa,the accompaniment method of the plucked instrument group is analyzed and studied;The fourth part summarizes and analyzes the significance of music innovation in the Lv drama "Cai Wenji",providing a theoretical basis for future practical innovation in the Lv drama repertoire.The entire drama has a significant innovative consciousness in music processing,without completely breaking away from tradition,combining old and new,and using multiple methods simultaneously to integrate and integrate.The paper is mainly based on music scores and audio materials,and uses research methods such as literature analysis and comparative research to draw conclusions on the innovative aspects of Lv Opera’s "Cai Wenji".