The Role Of Guan Jingtao In The National Opera "Wildfire Spring Wind Fighting Ancient City"

Chinese opera through the exchange and integration with Western opera,a part of the "new opera" has been created in modern China,which is different from traditional opera and different from Western opera in terms of performance form.Through continuous exploration and innovation,national opera that uses national materials and tells national stories has gradually formed.National opera is the product of the sinicization and nationalization of opera art,which not only draws on the creative techniques of Western opera,but also inherits the performance mode of traditional opera,and also combines the successful experience of folk song and dance drama,drama,minor key drama and other art forms,and gradually finds a path suitable for its own development,forming distinctive national characteristics and unique styles.In2005,to commemorate the 60 th anniversary of the victory of the Chinese People’s War of Resistance Against Japanese Aggression and the victory of the World Anti-Fascist War,the national opera "Wildfire Spring Wind Fighting Ancient City" is an excellent work in the relatively mature period of the development of opera art in China,which describes the thrilling scene of outstanding underground party members uniting the masses of the people and the enemy during the Anti-Japanese War period under the correct leadership of the Communist Party of China and daring to fight to the end,shaping a group of distinctive patriots who bravely sacrificed for the country and the people,the heroic image of selfless dedication to the revolutionary cause.This paper mainly explores and discusses the role shaping of Guan Jingtao in "Wildfire Spring Wind Fighting Ancient City" based on the experience of personal stage practice.The introduction part mainly explains the research significance and purpose,research status,research methods and innovations of Guan Jingtao’s role.The first chapter introduces and briefly analyzes the creative background,main characters and plot summary,and musical style of "Wildfire Spring Wind Fighting Ancient City";The second chapter elaborates on the author’s in-depth analysis and interpretation of the changes and psychological process of Guan Jingtao’s character image before and after playing this role;Chapter 3 describes the author’s thoughts and suggestions when combining his personal stage practice experience to shape the role of Guan Jingtao in terms of line processing,vocal singing,and stage performance;The fourth chapter is the author’s psychological changes and personal experience when rehearsing "Wildfire Spring Wind Fighting Ancient City" and playing the role of Guan Jingtao;The concluding part is mainly based on summarizing the above content to further clarify the significance of Guan Jingtao’s role building.