The Practical Application Of "Seven-character Standard" In The National Opera "Wildfire Spring Breeze Fighting Ancient City"

The development of Chinese national vocal music art so far,under the guidance of a group of outstanding artists in China,presents a thriving scene of a hundred flowers blooming and a hundred schools of thought contending.Among them,Mr.Jin Tielin,a famous vocal theorist,educator and singer,established a scientific and complete Chinese national vocal music teaching system-"Jin Tielin National vocal music theory System" came into being.As one of the scientific theories in Jin Tielin’s Theoretical System of National vocal Music,the "seven-character standard" covers the people’s requirements for the aesthetic singing of national vocal music,and constructs the overall framework of the scientific sounding method,artistic aesthetic and development direction of national vocal music.At the same time,it is also the concrete embodiment of the macroscopic development direction of the "four nature principles" proposed by Mr.Jin Tielin,namely,"scientific,national,artistic and epochal".Based on the theory of "seven-character standard" and combined with its own stage practice,this paper elaborates the main content of "seven-character standard" in "Jin Tielin’s theoretical system of national vocal music",and takes the application of "seven-character standard" in national opera as the research object.From the seven aspects of "sound,emotion,character,taste,appearance,cultivation and image" in the national opera "Fire,Spring,Fighting the Ancient City",combined with the analysis of the golden ring singing and character shaping,to explore the significance of "seven-character standard" for the singing and character shaping of national opera.The scientific theory of "seven-character standard" is coordinated and unified in the singer’s second creation,and the works and roles are fully presented on the stage,bringing the audience more comprehensive audio-visual enjoyment of artistic accomplishment.