The Role Of Chinese Landscape Painting Aesthetics In Art Films

As a traditional Chinese painting art,landscape painting has been created and developed by numerous representative and outstanding artists,so that landscape painting conveys Chinese culture and emotion in both form and aesthetics.With the development of society,modern landscape painting has developed a variety of styles and more ways of expression.The aesthetics of landscape painting is reflected in all aspects of social development,showing its vigorous vitality.The reason why art film is said to be a kind of animation film unique to China is that it uses traditional Chinese art expressions and techniques to produce animation films that embody Chinese culture and Chinese art aesthetics,because of the Chinese style embodied in art films.The development of art films and animation films in China is the same,since the founding of New China,art films have developed rapidly,and the representative works of art films in this period are "Pastoral Flute" and "The Big Trouble in Heaven",which are very Chinese national style animation films.By analyzing the expression of traditional landscape painting elements in "The Shepherd’s Flute" and the expression of landscape painting in "The Greatest Showman",we can see the diversity of the aesthetic characteristics of landscape painting in the development,and help to explore the relationship between landscape aesthetics and animation and the higher level of spirituality behind them.The relationship between landscape aesthetics and animation and the higher spiritual connotation behind it.The focus of this paper is on the role of Chinese landscape painting aesthetics in art films,which on the one hand broaden the expression of landscape painting,and on the other hand bring new development directions to art films.