The Study Of "Dense Among Lines" In Ancient Calligraphy Theory

“Dense among lines” is a universal meaning category in ancient calligraphy theory.The word“Dense among the lines” was first mentioned in Yuan Ang’s book review of Ancient and modern books in the southern and Northern Dynasties,and has influenced the development of the whole calligraphy theory since then,this word is often used by calligraphers to comment on calligraphic works and calligraphers;styles.This kind of calligraphy comment appears in ancient calligraphy theory in the form of continuous sentences,although“Dense among the lines” has different expression and interpretation in the past dynasties,but never out of the mainstream of the view of calligraphers,these theories together constitute the overall context of calligraphy evaluation.There are some influential factors,such as the unique charm of calligraphy works,the background of the time and the ideological origin of the subject,and the rich connotation of“Luxuriant among the lines” and its advantages that can not be replaced.It is not only a single comment on calligraphy,but also composed of many elements.It is very important for the development of theory and the creation of calligraphy.Firstly,this study combed the background,objective and significance,domestic and foreign research progress,proposed research content and research methods.Next combs the ancient book theory inside appears this word chapter,and carries on the concrete connotation analysis.Then from the form of Chinese characters,the aesthetic characteristics of calligraphy factors,the critics of the subjective and objective factors of the“Dense between the lines”widely exist in the history of calligraphy analysis,finally,the author analyzes the theoretical value and practical significance of“Luxuriant among the lines” in calligraphy,this paper holds that the reason why“Luxuriant among the lines” can exist widely in calligraphy theory can not be separated from the rich changes,breath and spirit,spatial distribution,characteristics of pen-use,density of composition and expression of emotion in calligraphy works,at the same time,it is also closely related to the time background,social culture,ideology and ideological aesthetics of the critics themselves.On the one hand,it can not only accurately grasp the ancient aesthetic views of calligraphy,on the other hand,it is of great value and significance to enrich contemporary calligraphy theory.