Analyse The Musical Style And Artistic Image Of The Zheng Song "Pedestrian"

The Pedestrian was created by Mr.Wei Jun in 2015.This work not only has a beautiful melody,but also carries a heavy sense of history.In terms of creative methods,it not only retains the traditional music characteristics of China,but also integrates the style characteristics of other regions.This kind of creation method that keeps pace with the times makes this work occupy an irreplaceable and important position among many Guzheng works.The author wants to discuss and explore the music style and artistic image through the understanding of music content,the analysis of the style structure,the grasp of style characteristics,and the understanding and performance experience of cultural connotations."Pedestrian" is a kite ensemble with the piano,which integrates "Brahmin Introduction",and "Brahmin Introduction" is the Tang Jiaofang song.Foreign trade in the Tang Dynasty was developed,absorbing foreign cultures such as the Western Regions,Central Asia,and especially India.Some foreign cultures were integrated into the traditional culture of the Sui and Tang Dynasties,forming a prosperous scene.In such an atmosphere,Buddhist music represented by the Brahman Song has been introduced with Buddhism,absorbed and played by the court,and has been preserved in Xi’an drum music and has been passed down to this day.It was introduced to the Tang Dynasty with the road of foreign trade in the Tang Dynasty,and it was absorbed and played by the court and kept in Xi’an drum music.The significance of the author’s study of this song is to create a unique musical style through the analysis of Mr.Wei Jun’s creative techniques,the string order of fixed strings,the arrangement of textures,and chord selection,etc.,and finally create an artistic image of a pedestrian travelling westward and sharpening his body and mind.