The folk songs sung by Hangjin people in folk ceremonies and a series of singing activities around them are called "Nai Ri" in their musical terms.From the perspective of time and space research of historical musicology,this paper takes the synchronic Hangjin wedding and the diachronic Hangjin Spring Festival in the same space as cases to re-examine the ritual music life of Mongolian people in Hangjin Banner,Ordos,as well as the historical,cultural and musical views expressed through music.In the historical time and space,music carries the past,present and future of an ethnic group.The traditional music of Hangjin people is the product of the accumulation of cultural time and space,which contains the thoughts of Hangjin people and their understanding of self,society and the world.Nai Ri music is mainly constructed from local traditional music genres "ancient Ru Ge" and "short tune banquet song".They are also banquet songs sung in the folk etiquette and custom tradition,and they re-show the creative group of traditional folk songs--Hangjin people,the singing group--Hangjin people,and the user group--Hangjin people through the ceremony of the day after day.Under the multiple semiotic meanings,the harmonious sound in the singing art and the representative of the harmonious singing form are constructed together.Among them,the integration of male and female voices and the integration of vocal and instrument voices constitute a new dialogue singing form of Nai-Japanese singing,which symbolizes the important cultural concept of harmonious coexistence and equal dialogue,and is also a precious musical heritage bearing the history and social and cultural information of ethnic groups in the pluralistic integrated pattern of China. |