An Analysis Of The Performing Techniques Of The Morin Khuur Music "ten Thousand Horses Galloping"

In this paper,the representative work of Qi Baoligao,the master of Morinkhuur art,Ten Thousand Horses galloping is the research object.The analysis and research mainly focuses on two dimensions: musical structure,melody,rhythm,mode and tonality,as well as performance techniques.Based on the exploration of the essential characteristics of "Ten Thousand Horses galloping",it is found that the special musical form structure has broken through the fixed structure of western Musical composition,the special playing skills have broken through the traditional playing skills of Morin khuur,and the special musical expression form has innovated the playing form of Morin khuur,becoming a classic work of Morin khuur music.This paper is mainly composed of five parts: introduction,the first chapter Qi Baoligao and his Morin khuur art,the second chapter "Ten thousand horses galloping" performance interpretation,the third chapter "Ten thousand horses galloping" performance practice and inheritance thinking,conclusion.The introduction provides a brief explanation of the research significance,research methods,and current research status of the paper.The first chapter explains the creative background and works of "Ten Thousand Horses Running".Chapter 2 is the core part of this paper.The main focus is to conduct a detailed analysis of this work,which involves the structure of the musical form,performance techniques,creator’s conception,and the entry of the expressive content.The multidimensional observation and exploration of the bow,fingering,performance techniques,performance techniques,melody characteristics,and other aspects cited in the work summarize that Western musical form structures may not be entirely suitable for ethnic music.Only by highly integrating factors such as music structure,performance techniques,expressive techniques,and content presentation can the essential characteristics of ethnic characteristic music be demonstrated.The third chapter mainly explores the author’s stage performance practice and some new learning insights gained during the interview with Qi Baoligao,as well as a summary of their own experience.Summarize the experience gained during the writing process and some unresolved issues in the conclusion.