In the south of Jiangxi Province ancestor worship by clan has always been the most important ritual of Hakka people.It is a ceremony to worship and respect the same ancestor based on blood ties which has typical ethnic cultural characteristics.Shahe Kou ancestor worship ceremony has a long history which has been passed down for more than 300 years.It is worth mentioning that the ancestor worship ceremony is held at the same time as the Lantern Festival.Therefore,the ancestor worship ceremony contains a variety of cultural factors,such as childbearing and epidemic prevention.Based on the first-hand data obtained from the field investigation,the study believes that the interaction and integration of the ancestor worship ceremony and “Nao yuan xiao”is the construction of ancestral identity by the experienced people,and the local landscape is added to the Yuan xiao song to shape and solidify the identity of the ancestor “god”,so as to achieve the scene of the real existence of their ancestors.The annual Lantern Festival ancestor worship ceremony is an important expression of the culture of ancestor worship externalized in the form and internalized in the heart.This article is divided into four chapters.The first chapter mainly discusses the interpretation of the natural environment of Shahe Kou and the mobility of the research object around the mobility.The second chapter takes time as the vertical axis,respectively from the field text,written text and oral text to the Xiao Yi nationality “Neuraxial”history and the present dialogue and comparison.In the third chapter,the music construction of the ceremony is analyzed in detail,so as to highlight the uniqueness of the music form of the ancestor worship ceremony.The fourth chapter explains the cultural connotation expressed by the music of ancestor worship ceremony from different latitudes.The way of ceremony and the norms of behavior have created the integrated multi-cultural characteristics of Chinese traditional music culture. |