A Study On The Narrative Strategy Of Humanities Documentary From The Perspective Of Emotional Identity

Humanities documentaries reproduce people’s lives and record historical changes through images,showcasing a strong humanistic spirit on a real basis,in order to stimulate the audience’s humanistic consciousness.In recent years,humanistic documentaries have gradually shifted from emphasizing the output of unilateral humanistic values to exploring and imparting humanistic emotions between both parties,expressing humanistic spirit on the basis of emotional exchange,making the creation of humanistic documentaries more emotional.From the perspective of emotional identity,the narrative of humanistic documentaries still focuses on the expression of humanistic spirit,but places more emphasis on emotional research within humanistic documentaries,emphasizing the audience’s emotional identification with humanistic documentaries,and exploring narrative strategies from an emotional perspective.The content transmission of humanistic documentaries is achieved through narrative strategies to find the most suitable narrative method.Introducing narrative theory into the research of humanistic documentaries can expand the research scope and enrich the theoretical basis for humanistic documentary creation.The narrative research under emotional identity is more targeted,analyzing the narrative level of humanistic documentaries from the perspective of emotions,conducting emotional research on the narrative of humanistic documentaries,and seeking new creative perspectives.Through a civilian,micro,and everyday narrative perspective,record daily touching moments and establish emotional resonance between creators and receivers through the screen.This study uses literature research methods,case analysis methods,and other research methods to explore the current research direction of humanities documentaries.Based on the relevant theories of emotional identity and narratology,and combined with the author’s humanities documentary "One Picture,One World",the study is continuously revised and improved,and related research is carried out in terms of narrative content,narrative techniques,and narrative language.The first chapter is the definition of concepts and their theoretical basis.Firstly,it clarifies the relevant concepts of humanistic documentaries and emotional identity,and determines the core content of the research;Secondly,narratology and empathy theory have laid the theoretical foundation for the study of narrative strategies from the perspective of emotional identity.The second chapter is the emotional analysis research of humanistic documentaries,which conducts research from three levels: the value and significance of humanistic documentaries,the emotional expression of creators,and the emotional resonance of audiences.It summarizes the research value of humanistic documentaries at the emotional level and summarizes the emotional tendencies of different subjects.The third chapter analyzes the narrative content of humanistic documentaries from the perspective of emotional identity.With the support of emotions,the themes of humanistic documentaries are increasingly close to real life,with the pursuit of authenticity and moving themes,and characters becoming carriers of emotions.The fourth chapter analyzes the narrative techniques of humanistic documentaries from the perspective of emotional identity.The civilian narrative perspective,emotional presentation of details,complete and unified temporal and spatial coordination,and rich and diverse narrative structures are all indispensable methods for humanistic documentaries in emotional narrative.Chapter 5 analyzes the narrative language of humanistic documentaries from the perspective of emotional identity.Starting with images,sounds,and rhythms,the narrative language constructs a sense of identity through images,creates a lyrical atmosphere through sounds,controls emotional fluctuations through rhythms,and summarizes the audio-visual characteristics within the emotional perspective.Through the above research,analyze the application of emotional identity in the narrative of humanities documentaries,and explore how narrative strategies can trigger audience emotional identity.Expand the narrative perspective of humanities documentaries from an emotional perspective,and shift them towards analyzing internal emotions.Taking excellent humanistic documentaries as a model,based on the theories of emotional identity and narratology,this thesis explores the integration and development of emotional identity in humanistic documentaries from multiple perspectives and levels,including narrative content,narrative techniques,and audio-visual presentation.The emotional narrative theory is combined with the film model,and tested in practical creation to revise and summarize practical results,Opening up new scope and fields for the development of narrative strategies in humanities documentaries.