Research On The Combination Of Shoushan Stone And Lacquer Art In The Context Of Contemporary Sculpture

Since the introduction of the Western sculpture system into China after the reform and opening up,the boundaries between various categories of art have become more and more blurred.Various doctrines and schools have poured in.The exchanges between disciplines and the integration of different styles of schools are increasing.The breakthrough in sculpture materials is also increasingly renovated.The cross-border combination has become a practical way for artists’ artistic creation and has been widely used.The purpose of this paper is to study the cross-border combination of Shoushan stone and lacquer through the theoretical analysis and self creation practice of the art mode of the combination of Shoushan stone and lacquer.In the context of contemporary sculpture,it will explore more practical ways of traditional Shoushan stone and lacquer art,which are national intangible cultural heritage,to expand their rich artistic language,create greater artistic value and promote This paper takes the art performance of Shoushan stone and lacquer art as the research content.Through the methods of literature comprehensive analysis and induction,field investigation,case analysis and self practice creation,the relevant theories of Shoushan stone and lacquer are sorted out and analyzed by making full use of data and literature,and summarizing the research and exploration of Shoushan stone and lacquer in the context of contemporary sculpture The necessity and practicality of the combination of lacquer and Shoushan stone will bring new aesthetic experience and feelings to art creation,fully tap the value of contemporary art,and explore innovative ways for the two traditional industries of Shoushan stone and lacquer art.Firstly,for the traditional Shoushan stone carving industry and lacquer art itself,their respective artistic attributes and artistic charm will be constantly displayed The combination of the two will become a typical case of cross-border design of traditional handicrafts,creating art works with more characteristics of the times,so that the protection,inheritance,development and innovation of the two kinds of intangible cultural heritage will have more vigorous vitality;thirdly,for the creators of these two intangible cultural heritage industries,the combination of the two will be expanded to a large extent Fourth,for art appreciators,the combination of the two works will bring more creative and infectious aesthetic visual enjoyment to the public,making the two intangible cultural heritage collide with the spark of vitality in the combination,and expand to other jade types such as Palin stone,Changshi stone,Qingtian stone and Laotian stone The combination of performance.