The Acceptance And Development Of Chinese Ceramic Culture By The Korean Dynasty Kiln

North Korea’s government kiln is a very wide-ranging research topic,this paper only takes the products of North Korea’s government kiln and its management system as the research object,using archaeology,philology,comparative research method,influence science and other research methods,through the DPRK government kiln to the acceptance and promotion of Chinese ceramic culture to carry out research and elaboration.This paper probes into the influence of Chinese ceramic culture on the porcelain varieties and management mode of the North Korean government kiln,analyzes the localization characteristics of the operation system of the North Korean government kiln,studies the similarities and differences of the government kiln culture of the two countries,and explores the cultural and aesthetic significance behind it.This paper examines the diachronic nature of the development of the government kiln on the Korean peninsula to the government kiln,and makes a comparative study on the origin of the Korean and white porcelain in the DPRK’s government kiln,the relationship between the white porcelain of the DPRK and the Chinese "glaze red" porcelain,the influence of the decorative techniques of the North Korean cinnabar and the Chinese mosaic,this paper discusses the top-down operation system of North Korea’s government kiln,the structure and division of the potter,the inheritance and curing characteristics of the Dragon Kiln,and expounds in detail the composition of the Superintendent Tau,the reduction of the number of potters,the compression of manufacturing process,the attribution of the government kiln porcelain and the treatment of the secondary porcelain,the firing law of the porcelain,Management of wood fired in kilns and the periodic relocation of the government kiln and other aspects of the content.