Research On Contemporary Chinese Non-fiction Writing In The Context Of New Media

In October 2010,people’s literature launched the "non-fiction" writing program,which has gone through a process of ten years.At present,with the development of the Internet,the carrier of non-fiction writing has shifted from traditional media to new media.New media non-fiction writing has attracted a large number of loyal readers,showing a vigorous development trend in the field of new media.However,the current non-fiction writing of new media has been questioned by many: first,due to the low entry threshold of new media writing and the uneven quality of works,it lacks literariness and artistry;Secondly,it emphasizes the commercialization of the media,which has a great impact on the sustainable development of the media.This paper takes China’s non-fiction writing as the research object under the new media background.It aims to take the three We Chat official account of Net Ease’s "the livings",Tencent’s "Grain Rain laboratory" and "real story plan" as sample selection platform,and take 50 non-fiction works on three platforms since 2019 as the research object,and discuss the influence of media development on non-fiction writing.The text is divided into four chapters.The first chapter mainly discusses the rise and current situation of non-fiction writing,and combs the origin of non-fiction writing in Chinese new media,from "non-fiction" novels in the west to non-fiction writing in Chinese paper media,and then to non-fiction writing on the new media platform;This paper analyzes the reasons for the popularity and prosperity of non-fiction writing after it was transferred from paper media to new media platform.The second chapter discusses the composition of non-fiction writing in new media.Non-fiction writing in the new media environment presents new characteristics: the creative subject has changed from the original professional author of paper media to the main non professional writer supplemented by professional author;The theme of writing is also further expanded to all aspects of life,paying more attention to vulnerable groups and social livelihood issues,and focusing on the living conditions of minority groups to show the changes of the times;In terms of expression,it adapts to the "fragmented" reading mode in the network era,and pays attention to interaction with readers and resonance with readers.The third chapter analyzes the aesthetic value and social value of new media non-fiction writing.As a literary writing style,new media non-fiction writing has not given up the pursuit of literariness and aesthetics on the basis of maintaining "reality",and has expanded the writing boundary of literature to a certain extent by virtue of its cross stylistic attribute;As a force to intervene in reality,non-fiction writing of new media tries to move the world with "reality" by taking care of and intervening in reality,so as to make social problems get public attention,trigger thinking and promote problem solving through literary writing.The fourth chapter discusses the problems and challenges of non-fiction writing under the new media and new situation,and puts forward corresponding solutions to the problems.At present,the non-fiction of new media is still growing.Using the methods of text and case analysis,this paper attempts to summarize the characteristics of the popularization of non-fiction writing in new media through the analysis of creative subject,writing theme and narrative strategy;Discuss its current aesthetic value and social value;Reflect on the many problems existing in non-fiction writing,and put forward some suggestions on returning to reality,returning to reality and returning to literary aesthetics,so as to promote the further development and growth of the creative practice of non-fiction writing in new media.