Sacred And Secular

Taking Qiao moraine Tibetan ritual music as the research object,by Qiao moraine Tibetan offering mountain case ceremony process,ceremony and the wedding ceremony music form,ritual music culture as a research perspective,by using the ethnomusicology to the ritual music of "concept,sounds and practice" three-dimensional theory structure mode and "polar variable thinking" research methods,Combined with the knowledge systems of anthropology,semiotics and other disciplines,the field investigation of qiaoqi Tibetan ritual music is conducted,and the similarities and differences between qiaoqi Tibetan sacrificial mountain and wedding ritual music are sorted out,and the significance and role of the ceremony and ritual music in the society of Qiaoqi is explained.The chapters of the paper are as follows: The first chapter combs and summarizes the geography and culture of Qiaoqi Tibetan township.The second chapter,with the field record of qiaoqi Tibetan sacrificial mountain ceremony as the data,describes and analyzes the sacrificial mountain ceremony music and interprets its procedures from the ceremony space environment,the organization of the ceremony personnel and the nature of the ceremony sound.The third chapter is based on the field records of the wedding ceremony,describes and analyzes the wedding ceremony music,and interprets the two ritual links of qiaoqi and qiaozhuang in the wedding ceremony process,which mainly reflect the social and cultural system.The fourth chapter is the cultural interpretation of qiaoqi Tibetan ritual music.The comparison and analysis of qiaoshan and wedding ceremony music is made,and the similarities and differences of the ceremony music selection,function connection transformation and discourse authority expression under the two ceremonies are summarized,as well as the significance and role of the two ceremonies in the society of Qiaoqi.Qiaoqi Tibetan Sacrificial mountain and wedding ceremony music have obvious differences in musical form.Through sound symbols,the two kinds of ceremony music show a trend of being near sacred and near secular in nature respectively.As music in culture,the ritual sound symbol system is closely related to its cognitive meaning system.Taking the ritual sound as the entry point,the structural meaning of social and cultural cognition can be probed out.The mountain worship ceremony connects the sacred and secular space,integrates the spirit and reality in practice,and achieves "dual unity".The wedding ceremony connects the old out-of-order system and the new order system,changes the social identity of the individual member of the society in the secular space,and regulates its rights and obligations.Both sacrificial mountain and wedding ceremony reflect the authoritative expression of discourse.Through the two discourse power symbols of Lama and Kabuawu,the rational core consciousness prescribed in the society can be solidified and the social behaviors of members of the society can be standardized.