Imagination Of "Home Country" In The Puppet Country Of Manchukuo Literature

Since ancient times,the northeast region of China has been an area where the Han and other ethnic groups have lived and multiplied together.Since modern times,due to history,war and other reasons,the situation of people living together in northeast China has become more complicated.After the establishment of the "Manchukuo",there were more than two million Mongolians and one million Koreans,and the Number of Japanese overseas Chinese increased from over 200,000 before the establishment of the "Manchukuo" to over 400,000,and the number of Russian overseas Chinese reached nearly 100,000.These ethnic groups live together with the indigenous people of northeast China: han,Manchu,Hui and so on.The Puppet Manchukuo was not the result of Japan’s lightened colonization and establishment of the state,but the combat readiness base established by Japanese imperialism to expand its colonization.Japanese colonists to stabilize the puppet manchukuo’s colonial rule,the realization of east Asia colonial ambitions,put forward the slogan "the harmony of the family of five" colonial,ostensibly to tool,false image of "king" Promised Land,but other ethnic groups,making ethnic conflict,thereby weakening the ethnic power,effectively implement the colonial partition.Based on this environment,the literary world of Puppet Manchukuo,as a political epitome,also showed the characteristics of multi-countries,multi-ethnic groups and multi-languages.Whether "China" at the beginning of the five "han,manchu,Mongol,day,and toward the",or middle easily switch to the family of five "manchu,Mongol,Japan,Korea,Russia",can be divided into Chinese literature(including the han,manchu,Mongol,hui and other indigenous peoples),Japan,the humanities,the north koreans literature and humanities,Russia was called full,Japanese literary world,fresh department,Russian department.Due to their different political subjects,their creative attitudes and literary influences are all different.Facing the trap of colonialist ideology and cultural aggression,they either keep a clear awareness,keep a distance,or lose their positions by being deceived.However,writers of all kinds do not simply stop at the dual position of refusal and pandering,speech and silence,and there are still multiple complex creative mentality and consciousness turn behind them.In the face of the puppet regime of "Manchukuo",they presented the imagination of different consciousness of "family kingdom" in the literature of each department from their own living environment,ethnic standpoint and ideal expectation.Therefore,with the imagination of "family kingdom" as the focus,the special landscape of "co-existence and co-prosperity" in the literature of the puppet Manchukuo can be presented comprehensively and three-dimensional.This paper is divided into five chapters.The first chapter summarizes the imagination characteristics of "family and country" of various ethnic groups,explores the tension between subjective ideology and colonial cultural rule of authors of various ethnic groups,and expounds the resonance relationship of literary realism criticism of various ethnic groups in Northeast Asia.The political "harmony of the five ethnic groups" and the "three pillars" of the literary world complement each other.To dismantle the lie of "national harmony" and "ideal nation" from its foundation.The second chapter to full system works,this article inspects the puppet left early patriotic literati and mid-to keep the puppet "full" writer’s creation phenomenon,with the "dark","Ming",with an "Ming" and "dark" writing for clues,linear resistance literature many kinds of expression way: using irony,or subtle twists and turns,or not to meet,show a complex colonial writer,entanglements creative mentality.The left-wing literature in the dilapidated,dark description of the home and country consigned to the prosperous,new China beautiful imagination.The decolonization literature penetrated into the dark and hypocritical core of the puppet Manchukuo,virtually dispelling the blind function of the western "modern state" advocated by the colonialists.The third chapter,from the perspective of literary debates and writers’ works,deeply explores the different perspectives of Japanese writers’ internal cognition of the puppet Manchukuo,and restores the complex original appearance of The Japanese literary world from a multi-dimensional perspective.Japanese writers either implied "utopian" imagination,actively voiced their voices for the construction of "Manchukuo" and "Manchukuo literature",or had deep attachment to the puppet Manchukuo,or had clear cognition and criticism.Although these writers’ works showed the humanitarianism spirit contrary to the "national policy literature",they all fell into the trap of colonizers to varying degrees,were deceived by the universal values of enlightenment,and fell into the dream of "national harmony" and "ideal country".The fourth chapter analyzes the creation situation of the Korean writers,and analyzes the different choices,attitudes and positions of the different Korean writers in examining,deviating from or longing for the "Harmony of the Five Ethnic Groups" under the background of the Puppet Manchukuo based on the political identity,historical issues and cultural factors of the Korean people.Ahn Soo-gil’s "Beixiang Spirit" and "Rice Spirit" clearly show the concept of "home country" of Korean immigrants.It is the common ideal pursuit of Korean writers to realize the autonomy of the Korean ethnic group and establish "national community".The fifth chapter takes Russian literary works as an example,starts from the uniqueness and explicability of Russian literary creation,excavates the imagination of "home country" of "ideal utopia" and "suffering country" in Russian literary works of "Manchukuo",and discusses the internal reasons why Russian literature,Japanese and Manchukuo in the puppet Manchukuo literary world in the puppet Manchukuo.The paper also studies the inheritance and development of Realism of Russian literature by North Korean,Manchu and Japanese literati.This paper studies the four literary works of the "Manchukuo" period,which will reproduce the overall phenomenon of the literary world in the "Manchukuo" period.At the same time,the supplement and textual research of the policy of "harmony of the Five Ethnic groups" provide valuable materials for the literature study of the puppet Manchukuo period.It is not only a supplement to the original literary history,but also an opportunity to explore the consciousness of "family and country" and cultural identity under the complicated political pattern and difficult living situation.