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3D Animation Technology Implementation Of Xu Beihong’s Painting Style

Posted on:2024-03-20Degree:MasterType:Thesis
Country:ChinaCandidate:L GuoFull Text:PDF
GTID:2545306920985969Subject:Art and design
Abstract/Summary:PDF Full Text Request
Mr.Xu Beihong is the founder of modern Chinese art,he has a high artistic attainment,and is good at Chinese painting,drawing,oil painting and other painting forms.He integrated the characteristics of Western sketching such as proportion,perspective and anatomy into the traditional Chinese "pen and ink" language,so that the two traditional techniques of China and the West were organically integrated into one,creating a novel and unique style.Xu Beihong’s horse is an iconic symbol,and it can be said that Xu Beihong’s horse is well-known and known to everyone.This research is to use the current three-dimensional ink animation technology combined with Xu Beihong’s painting style,through the animated short film "Sai Weng Lost Horse New Edition" to vividly restore Xu Beihong’s characters and galloping horses,inheriting the connotation of his ink painting.This article is mainly divided into five parts:The first chapter is an introduction,which mainly discusses the source of the topic,research status,research methods,key and difficult points of research,innovation points,research objectives,and research significance.The second chapter is the application analysis of traditional ink animation and 3D ink animation,and discusses the advantages of the development of 3D ink animation by understanding the development process of traditional ink painting and 3D ink animation and analyzing classic works.The third chapter is the innovative practice research of the animated short film "Seon Lost Horse".This chapter details the content and production process of the practical research of the project.The fourth chapter elaborates on the significance of Xu Beihong’s innovative practice in 3D ink and wash animation through his painting style presented in the short film "A New Edition of Misfortune".The fifth Chapter is the conclusion.
Keywords/Search Tags:Xu Beihong’s painting style, Traditional ink animation, 3D ink animation, Sai Weng Lost Horse
PDF Full Text Request
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