Unity In Diversity Employ The Ancient For The Present

2021 is the centenary of the Communist Party of China,and reform and opening up in China’s history also has epoch-making significance.Since the 1980 s,our Party has introduced a series of policies suitable for the development of national conditions.At present,Chinese classical dance is the essence of Chinese traditional culture.In addition to being a natural development trend of artistic ontology,the above phenomenon presents complex and diverse development characteristics.The greater reason lies in the cultural background,the cultural system,the cultural context and the influence of the potential cultural policy development route.Therefore,taking the relevant literary and artistic policies promulgated by the Party and the State after the reform and opening up as a clue,this paper reviews the practice course of a "canonical" path in the Chinese classical dance discipline and tries to reveal the foundation of the development of Chinese classical dance.The thesis is composed of introduction,conclusion and other four chapters.The introduction part mainly collects the data required for the thesis and compiles the theoretical achievements of the Party’s literary and artistic policy on the development of dance art after the reform and opening up.Chapters one to four are the main content of the thesis.According to the writing ideas of "historical traceability,phenomenon combing,theoretical analysis,future trend," In the past 40 years,the practice exploration of classical Chinese dance is based on the literary and artistic principles promulgated by the state.Strive to find the relationship between the characteristic characteristics of discipline construction and policy deployment in different periods.In the first chapter,the author first reviews the development of dance field in China in the early stage of reform and opening up.It is determined that the emergence of Chinese classical dance is closely related to the roots of national culture.At this stage,the classical dance discipline relies on the relevant instructions of the Party to the literary and artistic field.In the end,we have achieved initial achievements in the construction stage and have provided corresponding theoretical basis and practical experience for the subsequent development.In the second chapter,the author focuses on the diversified construction of Chinese classical dance in the wave of reform.By analyzing the different genres formed by dancers on both sides of the strait under the influence of the background of the times,creative ideas and other factors,It is further concluded that classical dance scholars continue to explore and innovate under the premise of actively practicing the Party’s literary and artistic principles.Continue to develop forms under the premise of being respectful to traditional culture,Finally,the development pattern of "multiple integration" is formed.In the third chapter,the author looks at the essence through phenomena,After the reform and opening-up of classical dance to go out of a very Chinese characteristic literary development path to make theoretical analysis,The awakening of the consciousness of classical dance ontology in the early 1980 s,the development of classical dance into the world as a business card of Eastern culture in the 1990 s,and the emergence of a strong new force in classical dance in the early 21 st century under the call of cultural self-confidence.In the fourth chapter,I base myself on the present and look forward to the future.Combined with General Secretary Xi Jinping’s analysis of the "Three Major Systems," "Three Fine Standards," "Double Innovation Theory" and the Report of the 20 th National Congress of the Communist Party of China,it proves that the development trend of Chinese classical dance has always found its way forward under the policy guidance of the Party and the State.And Chinese characteristics,Chinese paradigm and Chinese style will also become the future dance development new situation and new atmosphere.In the conclusion part,the author proposes that since the 1980 s,Chinese classical dance has really established a kind of exemplary aesthetic standard,training system and dance vocabulary,but this kind of "canonical" path has undergone the process of self-exploration,practice and revision.At present,dance workers should take the slogan of literary and artistic development advocated by the state as the general idea,and devote themselves to the development and transformation of dance art with a positive attitude,in response to the century-old changes in Chinese dance.