An Analysis Of The Artistic Features And Playing Techniques Of Ding Shande’s Spring Journey Suite

Mr.Ding Shande is a famous modern composer,pianist,music activist and music educator.His creation covers a variety of genres,including art songs,vocal melodies,piano suites and so on.Spring Journey Suite is one of Mr.Ding Shande’s typical works in the field of piano creation,and is also his first officially published work.It consists of four sub-pieces: Waiting for the Sunrise,In the Boat,On the Shore,and Breezing in the Morning.The suite was created during the transition period between the War of Resistance Against Japanese Aggression and the War of Liberation.The special historical and cultural background gives it strong characteristics of The Times,and the creative method of "West for China" also highlights the unique artistic personality of the song.The birth of the work for the victory of the Anti-Japanese War brought a dawn,in the history of the development of folk music art has important milestone significance.This paper is divided into six chapters,of which the first chapter is the introduction,which mainly analyzes the source of the topic,the research significance,the research status at home and abroad in detail,especially the research objectives,research content,key problems to be solved,the innovation of the topic and other aspects of the general description.The second chapter mainly introduces Ding Shande’s life and analyzes the creation background of the piano suite A Journey of Spring.The third chapter mainly analyzes the music noumenon such as the musical structure,melody,harmony,mode and tonality.The fourth chapter mainly expounds the artistic features contained in the works from three aspects: nationality,integration and lyricism.The fifth chapter mainly combines the author’s performance practice,From complex tonal playing technique,weak position strong holding technique,melodic triplets playing technique,left hand long span broken chord playing technique,hidden bass melody playing technique,middle part sustained note playing technique,long span arpeggiated chord playing technique,clever side stroke playing technique,high superposition chord playing technique,filling chord playing technique,The performance techniques of this work are analyzed from many aspects,such as the rapid simultaneous octave and reverse octave playing techniques,the skip playing techniques of minor second intervals,the showy scraping playing techniques,and the comprehensive use of other playing techniques.The sixth chapter is the conclusion,which mainly summarizes the content of the full text.Through the organic combination of theoretical research and performance practice,the author hopes to provide a reference for the development of contemporary Chinese piano music research,but also provide other players with playing ideas.