Analysis Of Playing Skills In The First Movement Of Beethoven’s Sonata For Violin And Piano No.7 In C Minor

Ludwig van Beethoven(1770-1827)was one of the representative composers of the Vienna Classical music school.He created a wide range of music works during his lifetime,including symphonies,piano sonatas,chamber music works,opera and so on.Beethoven wrote 10 sonatas for violin and piano.Among them,Sonata No.7 for Violin and Piano is a representative work of Beethoven’s middle period of music.The music was created during the low and suffering period of Beethoven’s life,and the work fully demonstrates the conversational playing art of violin and piano,with diversified playing techniques and distinct musical creation characteristics,which is of great research value.In this paper,the expression of musical intensity and musical rhythm in the first movement of this piece is taken as the direction,focusing on the analysis of the bow playing skills,kneading skills,double tone and chord playing skills,dotted notes rhythm and tone playing skills and so on.Hope to provide a better theoretical basis for the deduction of this song.